Not many kids can say their high school band touched off a major-label bidding war. But it was after leaving Radish in the lurch at 17 that indie whiz-kid Ben Kweller made good on the hype with Freak Out, It’s Ben Kweller, the first in a four-part series of increasingly…
Blowfly’s Punk Rock Party is so filthy Tipper Gore might spontaneously combust if anyone ever played it for her. The original nasty rapper’s new album is scandalous, obscene and hilarious. Blowfly, the 60-year-old pervert with a penchant for performing in shiny capes and masks, has been doing dirty for a…
Some musicians maintain legendary rivalries for decades on end — try getting Sting and Stewart Copeland to bury the hatchet and you’ll see what we mean. Very rarely, though, is a band’s epic enmity so huge it can carry a feature-length art-house documentary like 2004’s Dig!, which chronicles the Dandy…
The most Elvis-like country performer since Elvis, Dwight Yoakam established his cred as a country traditionalist when he kicked off his first major-label release with a spirited cover of “Honky Tonk Man,” a Johnny Horton classic from the ’50s. Two great albums later, Yoakam topped the country charts with “Streets…
A little more than 10 years ago, I actually proposed to my girlfriend at a Southern Culture on the Skids New Year’s Eve show in New Jersey. Why not, I figured — there was the onstage limbo contest, the fried chicken the band threw into the crowd, SCotS’ kitschy slow-dance…
While he might not be as famous as Morrissey or Johnny Marr, bassist and guitarist Andy Rourke was still a vital part of legendary English rockers The Smiths. Handling his bass like a warbling weapon of twang, Rourke added his distinctive sound to such classic Smiths albums as The Queen…
The best way to describe EastonAshe’s sound is “adult contemporary rock.” The Cave Creek-based band has a mature sound, audible in rich compositions like “Bayou Blues,” which doesn’t utilize the 12-bar guitar progressions in E major or A major like many songs labeled as “blues,” but instead features hand-clap percussion…
Massive Attack’s Robert del Naja, a.k.a. 3D, was initially known not as a musician, but as a teenage graffiti artist — yet his connection to Bristol’s underground naturally attracted him to the Wild Bunch, a DJ-driven sound system that paid homage to the Jamaican party-givers whose impromptu toasts helped birth…
This split CD from indie rock duo Less Pain Forever and pop/electronica twosome Peachcake begins with Less Pain Forever encouraging you to “Throw Yer Babies.” The leadoff track not only has LPF’s usual quirky synths and Zappa-esque vibe, but also contains lyrics like “The fire on the mountain is a…
The best Album Leaf album, Seal Beach, distinguished itself in two ways: The songs were all instrumentals, and the record was only an EP. On his subsequent full-length efforts, The Album Leaf’s Jimmy LaValle has further cultivated an introspective, expansive style of tranquil electronica, but the discs’ longer running times…
Gnawing your way through the latest Mars Volta record is always something of a chore at first. The band, anchored by instrumentalist/composer Omar Rodriguez-Lopez and lyricist/vocalist Cedric Bixler-Zavala, turns out huge mind-fucks as songs, mixing prog-metal, psychedelia, and swaggering Latin flavors into massive, album-long narratives whose intent is to confound…
Trucks of the United Nations, you’re on notice — Dave Mustaine, guitarist/singer/czar of Megadeth, is calling you out. “I was watching TV and saw the trucks that said ‘U.N.’ on them and said, ‘Man, you are so uncool, ineffective, anything,'” Mustaine said in a recent Billboard interview. And if Mustaine’s…
Is Hank Williams III smoking crack, or are Th’ Legendary Shack Shakers truly, as III suggests, “the best damn band in America”? We have no firsthand knowledge, as it turns out, of what Mr. Williams does when he’s not making music, but we do know this: Th’ Shack Shakers have…
Van Morrison first made a name for himself at the helm of The Angry Young Them, as an Irish Eric Burdon blowing harp and spitting out the blues with a gritty authority that said he’d kick your ass if he were any taller. The liner notes in that first album…
It’s been 50 years since James Brown’s first professional recording, “Please Please Please,” became the first million-seller in one of American music’s most inspiring careers. But while the yearning desperation of his early ballads proved the kid could more than hold his own against the other soul greats, it was…
Wayne “The Train” Hancock likes to swing. Every night, he gathers up his three-piece barnstormers and travels the highways, serving up his mixture of hillbilly swing, rockabilly, and hardcore Hank Sr. honky-tonk, the sort of stuff that sends people to two-step programs at Hillbillies Anonymous. “I don’t get it,” Hancock…
As with any hyped-up, talked-about newcomer on a monolithic mega-label like Sony, you have to ask yourself some good, hard questions about Matthew “Matisyahu” Miller. Specifically, will attendance at his live performance be for the music, or for the sheer spectacle of seeing a fully bearded Hasidic Jew strutting and…
Conservative Christianity and post-hardcore scree may seem like the most disparate of extremes, but the post-metal sextet Asperity has that juxtaposition beat. Asperity is tight and professional, and 5/6ths of its members are only juniors in high school. With an average age of 17, the Peoria-based “nü Christian” pummelcore band…
“I’m rich and famous/With a million-dollar contract/But it’s not around,” Monstrous guitarist/singer Led Gethway brags disingenuously over the luscious, distorto-scour psych of “Rich & Famous.” Too old to be Hanson’s grunge-punk successors but less slickly presented and pointedly generic than, say, Silverchair, Led Gethway and his brothers Ken and Alex…
When the old Sail Inn closed its doors late last year, Tempe scenesters shed plenty of collective tears as one of their favorite hangouts went kaput. Now the drinking den has been reborn as Trax, a “casual but trendy” nightspot with a posh interior, 14-foot video wall, and lineup of…
Even when Primal Scream didn’t match the creative heights reached by Screamadelica’s rave-worthy bliss-outs or the electro-punk of XTRMNTR, they never lacked self-confidence. After all, they coaxed (and kept) My Bloody Valentine’s reclusive Kevin Shields out of hibernation, and had the courage to embrace sinewy darkwave long before it was…
Olesi: Fragments of an Earth, completely produced and sung by Georgia Anne Muldrow, may be the most idiosyncratic soul album released this year. Most of the songs last less than three minutes, living up to the title’s promise as “fragments” and random thoughts. Muldrow manipulates her voice, double-tracking it and…
