Year: 2018

After receiving a 1,000-piece jigsaw as a gift at that party, Agnes discovers a surprise talent and passion: She can put one together in just a chunk of an afternoon

Miriam (Léa Drucker) has quit her job and absconded with the family’s two kids — 11-year-old Julien (Thomas Gioria) and almost-18 Josephine (Mathilde Auneveux) — after, she explains, experiences of spousal and child abuse

An assemblage of TV clips sets the stage: Ninety percent of all children have died within the space of a month, with the survivors gaining a variety of superpowers that the government catalogs in a color-coded chart ripped right from the Bush administration

McKinnon has for a couple of years now been on a collision course with just this sort of role, one that, in order to fulfill the dictates of programmatic movie plotting, demands she surrender much of what audiences love about Kate McKinnon

Greenfield searches for commonalities between her subjects, linking the tacky and Trumpy nouveau riche to the strippers and pornographic performers who embody her conviction that for American women the body itself is a commodity