Yuppie Meets Refugee
Let us applaud, on principle, Anthony Minghella’s return to small-scale storytelling. Breaking and Entering marks his first original screenplay since the oddball romcom Truly, Madly, Deeply (1991), and a retreat from the jumbo-size period pieces of his Miramax-to-the-max phase. Overrated as they are, The English Patient, The Talented Mr. Ripley,…