If Rocco DeVilliers hadn’t been speeding through Missouri a few years ago, he probably wouldn’t be screening his film Pure Race for the European film market at Cannes. The 25-year-old Tempe resident co-scripted, produced, directed and edited the low-budget indie, played a small role in it and did “probably 90…
“Billy Crystal? I crap bigger than that.” So remarked the ever-gracious Jack Palance while accepting an Oscar for City Slickers, a film Crystal had written and produced. The thing is, Palance was right–but at least in City Slickers, the disparity between the two men had made some comic sense. In…
You don’t build the City of Tomorrow in a day. In fact, not even in 25 years, as it turns out, but Paolo Soleri’s vision of Arcosanti has not wavered since he first broke ground for his “urban laboratory” at the basalt cliffs near Cordes Junction in 1970. The beautiful,…
With the possible exception of the Empire State Building in King Kong, it’s doubtful there could be a stronger phallic symbol anywhere in movies than the submarine: an oblong shape that dives into the depths, is loaded with scurrying seamen and is eager to discharge itself. Small wonder that the…
The title The Englishman Who Went Up a Hill, but Came Down a Mountain suggests all sorts of possibilities, starting with a documentary about Sir Edmund Hillary. The movie that hides behind the title, however, is a charming, tall-tale comedy spun with sly, cheeky ease and flashes of visual grace…
Last weekend, in the chilly confines of Mesa Amphitheatre, an actor entreated us: “Gently to hear, kindly to judge our play.” Not to worry. After suffering through a season of Shakespearean mediocrity, Phoenix audiences should welcome a robust rendition of Shakespeare’s most mature historical drama, The Life of King Henry…
If you saw Laurence Olivier in The Entertainer, you may have some insight into the final offering of the season by Actors Theatre of Phoenix, now playing in Stage West at Herberger Theater Center. In that 1960 film, Olivier portrays Archie Rice, a vaudeville song-and- dance man down on his…
Those who squawked about Philadelphia’s depiction of the unwavering support shown to a gay man by his affluent family really will be put out by The Sum of Us. This little Australian film is about the unconditional love of a father for his gay son. Harry (Jack Thompson) is a…
It’s understandable that Eldridge Cleaver would consider Panther “a travesty.” Cleaver, who in the ’60s was minister of information for the Black Panther Party for Self-Defense, is a character in director Mario Van Peebles’ new film, and he doesn’t come off especially well. He’s presented as a hothead who can’t…
John Sayles has been making movies for quite a while now, but making them less as a director and more as a screenwriter who directs. His interests are impressively wide, his plots are imaginative, his characters often complex, his dialogue pungent and funny. But his films, though never inept, are…
Last year, I reviewed a film called Go Fish, allegedly a comedy, about modern life among urban twentysomething lesbians. I panned it, and, predictably, got some static from lesbian readers who suggested that I disliked the film because I wasn’t a lesbian myself, and not for the actual reason, which…
After a modest first try last year, Arizona Film Society has taken the next step toward the elusive goal of bringing a regular annual film festival to the Valley–it’s come back for a second year. Saguaro Film Festival II will be held Thursday through Sunday at AMC Town & Country…
Long before Spike Lee and John Singleton made their first films, African-American cinema had had a 50-year history as an alternative genre that few people, even film buffs, knew about. Made independently by African-American directors for African-American audiences, “race films” flourished from after World War I until the late 1940s,…
Stephen Sondheim’s most sublime achievements surpass anything in the musical theatre since Rodgers and Hammerstein. I would include among these Sweeney Todd, the Demon Barber of Fleet Street; Sunday in the Park With George; and his most recent, the controversial Passion. Still pretty good, if not of the first rank,…
There’s not a bat in sight in the world premiäre of Arizona Theatre Company’s compelling new version of Dracula, currently stalking Herberger Theater Center. But bats are about the only thing missing from Steven Dietz’s faithful rendition of Bram Stoker’s 1897 tale of horror. ATC commissioned Dietz, author of this…
Destiny Turns On the Radio is the unfortunate title of a small, strange, rather agreeable comic fantasy set in Las Vegas. The title cosmic force, personified by Quentin Tarantino as a flashy hipster with a shit-eating grin, finds Julian (Dylan McDermott), an escaped convict, wandering in the Nevada desert and…
Jim Carroll’s book The Basketball Diaries isn’t about basketball, it’s about how the diarist, a Catholic high school kid growing up in Manhattan, happened to quit basketball. It’s an autobiographical work, supposedly the real diary Carroll kept during the mid-Sixties, when he changed from an aspiring poet and star of…
Director Henry Hathaway’s 1947 Kiss of Death isn’t necessarily a great crime movie, but it has remained in our collective movie memory for two reasons: Richard Widmark and New York City. The film was shot entirely on location, a practice that’s now de rigueur, but was unusual enough at the…
If Marcel Duchamp, Pieter Brueghel and Franz Kafka had somehow been commissioned to build a playroom for disenchanted philosophers, it may have looked a lot like deCompression Satellite Gallery does right now. The Arizona Center gallery is presenting the work of Bay Area sculptor Bella Feldman in an exhibition titled…
The sensational story of Medea has fascinated audiences throughout time. Corneille wrote a version in 1635, and Cherubini turned it into an opera in 1797. Broadway has produced this play more often (and more successfully) than any other classic. Dame Judith Anderson won a Tony Award as Best Actress in…
Once Were Warriors, a contemporary drama about a Maori family living in an urban New Zealand slum, is the feature debut of director Lee Tamahori. To describe the film with the usual adjectives–“raw,” “powerful,” “hard-hitting”–would be accurate, and then some. The theme of the film is domestic violence, and Tamahori…
Frequent moviegoers tend to develop pretty sharp instincts about what to see and what to avoid, and they’re often right. As soon as one sees that a feature vehicle has been made for a popular sketch character from Saturday Night Live, the review starts writing itself in one’s head–“What’s funny…
