Everything You Need to Know About the 2017 PHX Zine Fest
Since many zinesters print small runs of their work, it’s best to show up early before they sell out.
Since many zinesters print small runs of their work, it’s best to show up early before they sell out.
Zero dollars, y’all.
His work is on view at Mesa Contemporary Art’s “Slang Aesthetics!”
You likely won’t have another chance to watch a play directed by the woman who inspired it.
A round of applause.
Kind of a mixed bag.
Filmmaking is not a poor man’s game. Even as digital cameras get cheaper, making a film worthy of release still requires dough to get off the ground, which means the folks who tell stories through cinema tend to come from backgrounds of privilege. That breeds movies aimed at middle- to…
Something of a prank, a farewell, an art project, a buddy comedy, a vox populi tour of the French countryside, and an inquiry into memory and images and what it means to reveal our eyes to the world, Faces Places is a joyous lulu. It finds the great documentarian and…
Sean Baker’s The Florida Project, the follow-up to the breakout indie comic drama Tangerine, sparkles with joy and hope even as it tells a not-so-hopeful story. In the film, little Moonee (Brooklynn Prince) and her mother Halley (Bria Vinaite) reside in Kissimmee, Fla., in a rundown motel that’s as colorful as…
Some of the best films I saw at Fantastic Fest were nearly unclassifiable, ranging from allegorical religious retellings in the streets of Budapest to paeans of pride for a profession that possibly should have gone by the wayside. What they all have in common is a sympathy for the outsider…
The Meyerowitz Stories (New and Selected) premieres on Netflix on October 13. Adam Sandler’s core as a performer has always been his self-loathing. In his best comedies, he weaponizes it with humiliating ruthlessness. (In his worst ones, it wafts pathetically off him like the day-after stink of a drunkard.) Now,…
Here’s what we know.
Including Patricia Sannit, Larry Madrigal, and Monica Aissa Martinez.
Keep calm, plan on.
Writer/director Angela Robinson’s Professor Marston and the Wonder Women is achingly normal, in a good way. Robinson has proven herself capable of melding her sincere and often endearingly campy sensibilities to any cinematic style — spy spoofs (D.E.B.S.), Disney family flicks (Herbie: Fully Loaded), comic-dramas (The L Word), sexy vampire…
America may be crumbling, but here’s at least one truth that might be cheering: They’ve finally figured out biopics. Ever since Walk Hard kicked its ass, that hokiest, flabbiest, most hilariously reductive of movies genres has become, like horror, the rare genre where the studios allow filmmakers to take risks,…
“I thought, ‘I want to do this for the rest of my life.'”
Put ’em on your calendar.
All of the fun; none of the coin.
Arizona artists are continuing to address heated social, cultural, and political topics.