Arts & Culture

We sat down with its stars Blessin Giraldo, Cori Grainger, and Tayla Solomon.

In the 1980s, four-quadrant studio comedies (i.e. for the whole family) peddled in relentlessly dark premises that directors then brightened up with wholesomeness: Three Men and a Baby features an orphaned infant who is mistakenly given away to drug dealers; Ghostbusters boasts multiple fatalities at the hands of an accountant…

The dictates of Hollywood screenwriting can’t quite constrain the wildness of Jeannette Walls’ family and her best-selling memoir. Despite a tidy resolution, too many scenes whose shapes are immediately familiar from other movies, and an absurd climax that dramatizes the conflict between a daughter and her father through the wheezy…

Taylor Sheridan isn’t afraid to embrace genre. His Wind River plays more like an unusually well-made episode of CSI: Wyoming than the highly anticipated directorial effort from the screenwriter of Hell or High Water (which may well have been last year’s best-written film). Set in the desolate, snow-covered Wind River…

Rick and Morty airs on Cartoon Network’s Adult Swim. Here’s a great joke. An unhappy married couple get the chance to view, through the goggles of a dimension-hopping mad scientist, how their lives have played out in an alternate reality. The husband, an insecure drip, goes first. Turns out in…

Yes, you’ve heard it’s bad. It is. But there are some things to like in The Dark Tower, directed by Nikolaj Arcel, the new adaptation of Stephen King’s epic novel series. Just as in the books, an evil sorcerer named The Man in Black (Matthew McConaughey) orders around his henchpeople…

At 88 years young, the rebel-shaman filmmaker Alejandro Jodorowsky has led an eclectic life and enjoyed a provocative career not easily encapsulated. His 1970 acid western, El Topo, crowned him godfather of the midnight-movie craze. His phantasmagoric 1973 masterpiece, The Holy Mountain, was ripped off by Kanye West for the…

It’s hard to imagine a less promising film title than An Inconvenient Sequel. Maybe Another Imposition Upon Your Time? It’s clear, in the opening minutes, as we watch him shake off the slights and smears of his critics, that Al Gore is too savvily upbeat a technocrat to give the…

Michelangelo Antonioni’s Blow-Up has pretty much the greatest, most legendary fuck-you ending in all of cinema history: an imaginary tennis match between two mimes to conclude an oblique murder mystery. Somehow, it’s also an ideal finale to this most hypnotic parable of alienation — and a perfect example of Antonioni’s…

It’s August, which means it’s even hotter than July and you need TV now more than ever! The planet is hot, but you watching TV in your underwear with a fan pointed directly at your swimsuit parts is even hotter! Have at it! Manhunt: Unabomber, Aug. 1 (Discovery) Essentially, this…

I sincerely hope that there’s a five-hour cut of Kathryn Bigelow’s Detroit somewhere, a version with cleaner through-lines, deeper characterizations and a more organic narrative. But the version that we have right now — a messy, troubling beast clocking in at around 150 minutes — is riveting in its own…