Arts & Culture

A handy guide.

Iranian director Asghar Farhadi’s The Salesman is a tense, visceral drama of wounded masculinity — and therein lies part of its problem. Farhadi, whose About Elly and A Separation are two of the greatest movies of the past decade, can find tension in the most mundane of exchanges, and he…

Take it from the network that rebranded as Syfy: The best trick in The Magicians is its phoniness. The actors share a broad house-style stiltedness and uniform, plasticine good looks — even the same haircut. The sets, costumes, and special effects, while often inventive (a baddie with a head made…

In October of last year, in southwestern Kansas, three members of a militia called “The Crusaders” were arrested and charged with planning to blow up an apartment complex in tiny Garden City housing 120 Somali immigrants. According to Tom Beall, the Acting U.S. State’s Attorney, one defendant had said that…

In his atmospheric debut film, Australian theater director Simon Stone whittles down The Wild Duck into a cautionary tale about welcoming home an emotional exile. While stage adaptations of Henrik Ibsen’s tragicomedy often emphasize its farcical elements, Stone sticks to tragedy in his naturalistic version, set in densely planted logging…

The title offers the first clue about what’s off. Calling this movie The Comedian suggests that Robert De Niro will be playing something definitive or archetypal, as if there’s just one kind of stand-up comic, as if he’s representing a genus rather than embodying someone singular. A glut of other…