Drinking Buddies Is an Honest, Affecting Romance

There is a moment of silent incompatibility in Joe Swanberg’s Drinking Buddies that illuminates the entirety of a relationship in a single request. As the lovely, earthy Kate (Olivia Wilde) reclines suggestively on a couch in his tasteful apartment, Chris (Ron Livingston), her gently fussy boyfriend, politely reminds her to…

Riddick’s Back, But Vin Diesel’s Charm Isn’t

Richard B. Riddick — Dick to his friends, if he had any — is an intergalactic meathead who’s glowered through three movies, two video games, and a cartoon. He’s both the luckiest and unluckiest man alive: lucky because he’s impossible to kill, unlucky because everyone keeps trying. In the opening,…

Orange Is the New Black‘s Radical Critique of American Prisons

All manner of spoilers below. Nearly anyone with a grievance against America’s dysfunctional prison system can find a scene to illustrate their protest in the first season of Orange Is the New Black Netflix’s women-behind-bars dramedy. Admittedly, the wonkiest or most disheartening issues, like prison privatization or endemic sexual assault,…

Alfonso Cuarón’s Gravity is Lightning From the Heavens

The late, great Elmore Leonard advised writers never to open a book with weather. Does a lightning storm count? Recently, I was welcomed to Venice, where I’m just settling in for http://www.labiennale.org/en/Home.html?back=true”>the 2013 edition of the city’s film festival, with a spectacular lightning storm over the Grand Canal. This is…

Ten Fascinating Facts from Slimed!, the New Oral History of ’90s Nickelodeon

After Jimmy Savile, Amanda Bynes, Lindsay Lohan, and that Christian puppeteer who wanted to kidnap, kill, and eat little boys, it’s hard not to imagine the children’s entertainment industry as a fount of unimaginable filth and degeneracy. But for those who’d prefer to remember their childhoods happily, Mathew Klickstein offers…

Closed Circuit: Secrets Not Worth Knowing

Intricate, intelligent thrillers made specifically for grownups are so rare these days that it’s tempting to award extra points to anyone who even scales an attempt. Tomas Alfredson’s 2011 John le Carré adaptation, Tinker Tailor Soldier Spy, may have been the last great example of an adult thriller that refused…

I Declare War: Play Guns and Real Stakes

The most revealing film ever made about kids and the appeal of violent fantasy isn’t Battle Royale or an adaptation of Lord of the Flies. It’s the shot-for-shot remake of Raiders of the Lost Ark that a couple of Mississippi buddies put together over the course of their adolescence. Every…

Short Term 12: A Potent Story of Kids on the Edge

Like The Wire or Romanian director Cristian Mungiu’s oeuvre, Short Term 12 is the kind of film that sounds agonizingly depressing on paper but mesmerizes onscreen. It’s a delicate yet passionate creation, modest in scope but almost overwhelming in its emotional intricacy, ambition, and resonance. Easily one of the best…

Brian De Palma on Passion‘s Battles — and Avoiding Sequels

Brian De Palma had a good reason for remaking the erotic French thriller Love Crime: He could do it better. “I think it’s very dangerous to remake a classic,” says De Palma. “Leave it alone.” But the 2010 corporate catfight flick about two female frenemies had a framework he loved…

Five Great Summer Movies You Might Have Missed (And Can Still Catch!)

As another summer movie season characterized by cynicism and excess draws to a close, there are few activities less valuable or interesting than complaining about it. The blockbusters arrived, flattened cities, vomited effects, deafened with explosions, made money, didn’t make enough money, pleased populist critics, displeased elitist critics, and finally…

ASU to Host Walking Dead Discussion of Zombies and Taxes

If you’re sick of the typical political debate about sequester this and debt ceiling that, join ASU’s Center for Science and the Imagination, along with the Sandra Day O’Connor College of Law, for a showing of AMC’s hit zombie series The Walking Dead on Thursday, August 29, in Tempe. Part…

Austenland Smartly Satirizes Romances — Until It Swoons

Since it’s called Austenland, and since it’s a romantic comedy, you probably expect it to open with “It’s a truth universally acknowledged” and to wrap with one lovesick sap madly dashing after another, right up to an airport’s departure gates, even though both presumably have cell phones and could just…

Ain’t Them Bodies Saints Pines Gorgeously

In David Lowery’s sublime new film, Ain’t Them Bodies Saints, Bob Muldoon (Casey Affleck), who’s serving 25 to life for armed robbery and wounding a cop during a shootout, frequently puts pencil to parchment and writes love letters to his girlfriend, Ruth (Rooney Mara). Bob’s aching, lovelorn voice can be…

The World’s End Is a Likable Brew, But Not For the Ages

The laddish pleasures of The World’s End, Edgar Wright’s comedy about a group of middle-aged guys drinking beer and facing mortality, come with a bittersweet edge. In the old days, the lead character, Gary King, used to be the coolest kid in school, at least in the outlaw sense: He’d…

Europa Report Only Looks Realistic

No human has left near-Earth orbit since 1972, we’re reminded in Europa Report, a smartly marketed space-horror quickie that purports to be the one-giant-leap for found-footage scares — and also maybe Serious Space-Travel Movies themselves, which have failed to soar past our atmosphere almost as long as NASA has. To…

You’re Next: Slasher Flick Puts the Well-to-Do in the Red

On September 17, 2011, 1,000 protesters set up tents in Manhattan’s financial district and dubbed themselves Occupy Wall Street. Four days later, Lionsgate purchased You’re Next — a home-invasion slasher that slices up a family of useless 1 percenters — and should have released it immediately. Instead, the studio sat…

A Hong Kong Auteur Makes Crime Cut Again

Hong Kong genre film volcano Johnnie To rocks crime thrillers like it was still 1999, and in so many ways that’s a blessing — the pulpy textures of the HK gangster-policier are evergreen, and To always focuses his down-to-earth Sino-neo-noirs more on classical story beats rather than outrageous sensation. (In…