Bachelorette: Living Large and Then Feeling Bad About It

Weddings make such bitchin’ film scenarios because the stakes are believably high: If anything goes wrong, social opprobrium, the loss of your beloved, or both can ensue, right in front of your disdainful parents, the clergy, and probably Vince Vaughn or somebody. Directors have placed every obvious symbol of holy…

Still Joyously Disreputable, Raiders Comes to IMAX

The story goes that while filming in Tunisia in the summer of 1980, Steven Spielberg avoided the dysentery that afflicted most of the cast and crew of Raiders of the Lost Ark by holing up in his hotel room with a suitcase full of SpaghettiOs. Like most studio-approved behind-the-scenes errata,…

The Bigger and Better Mousetraps of Paul W.S. Anderson

The big movie event of September will be the anticipated latest from a certain filmmaker who signs his films with the surname Anderson and a pair of initials, a prodigious talent who burst onto the scene with a stylish entry in the mid-’90s crime-thriller wave and never left. The master…

Paul Thomas Anderson on Researching Scientology for His New Film

“I’ve made six movies, and I feel like I’m only just finally figuring out how this business fucking works,” Paul Thomas Anderson says on an August afternoon in Queens, New York, where later that night he will preview his latest film. The movie is The Master, Anderson’s first in the…

In Prohibition Drama Lawless, Looks Trump Drama

Screening the history of bootlegging in urban America led to the invention of a genre — the gangster film — but moviegoers have seen little of the hills and hollers whence the syndicates’ potent spirits were shipped. Offhand, I can only think of Robert Mitchum’s homegrown 1958 vehicle Thunder Road…

Sleepwalk With Me Can’t Quite Rise to the Level of Radio

It’s Pollyanna-ish to complain when companies that are in the business of making money on movies make certain movies solely to make money. And yet, it seems to be widely acceptable to be cynical about big-budget movies that are made, marketed, and released in order to sate an appetite that…

Cine Latino Film Festival Coming to Phoenix Art Museum

See also: David Cronenberg’s Vision of the Cosmopolis See also: The Lurid Pleasure of Killer Joe While Hispanic Heritage Month officially won’t start until Saturday, September 15, Phoenix Art Museum’s film festival Cine Latino will get a jump start on celebrating. Thanks to a grant from the Academy of Motion…

Cycle: Slick Cycling Aside, “Premium Rush” Needs to Lose Its Brakes

About two-thirds of the way through “Premium Rush,” the latest entry into cycling’s cinematic cannon, the film’s hero Wilee (as in Coyote, played by Joseph Gordon-Levitt) says one of the great truisms about our two-wheeled, human powered machines. “Bikes want to go fast.” And so does “Premium Rush” — especially…

10 of the World’s Most Famous Conjoined Twins

According to the University of Maryland Medical Center one in every 200,000 live twin births worldwide are conjoined, though 40 to 60 percent are stillborn and 35 percent of those who survive only live for a day. Conjoined Twins (less commonly referred to as Siamese Twins following the birth of…

The Lurid Pleasure of Killer Joe

At one point in Killer Joe, a hideously funny tabloid noir set on the outskirts of Dallas County, Chris Smith (Emile Hirsch) is let into the family double-wide by a relation whose face has just been pummeled into a Rorschach blot of dried gore. He doesn’t stop to ask what…

Cosmopolis Limos Through the Mind of a Master of the Universe

Boyishly lean, with a brooding angularity that suggests both high maintenance and nefarious vacancy, Robert Pattinson has managed to fill the role of a grade-A male sex symbol without ever evincing anything like carnal energy, to top the Hollywood A list as a representative of the undead. Pattinson’s casting in…

Takashi Miike’s Samurai Epic Might Be His Best Film Yet

The transformation might be complete: The crap-and-gore, genre-mincing Tasmanian devil of Asian pulp psychosis Takashi Miike we’ve come to know and, well, kinda semi-love since 1999’s Audition seems now to have finished evolving into a tasteful, even resonant art house master. It has only taken him 50 movies or so…

Hit & Run: A ’70s Car-Chase Flick for the Utne Reader Set

Hit & Run, a new action comedy engineered by faintly Muppety co-director/writer/star Dax Shepard, is as much about running mouths as running motors and injects estrogen into the few remaining enclaves of American testosterone, muscle cars, and FM cock rock. Shepard plays Charlie Bronson, a 35-year-old in Nowheresville whose life,…

A Lament: Action Movies Don’t Have to Suck

Remember how action movies used to be? The good old-fashioned American (but often European-accented) ones from the ’80s and ’90s, the type paid tribute to (but not necessarily re-created) in the Expendables movies? No offense to your Iron Men and your Jason Bournes, but I miss movies like Die Hard,…

David Cronenberg’s Vision of the Cosmopolis

One of the most interesting things about Cosmopolis, writer/director David Cronenberg’s extraordinary adaptation of Don DeLillo’s novel by the same name, is that it’s based on the first script Cronenberg has both written and shot since 1999’s eXistenZ. Additionally, Cronenberg’s adaptation of Cosmopolis marks the first time he has adapted…

Premium Rush‘s David Koepp Discusses Filming in NYC

David Koepp writes, and now directs, superior B-movies. This is an admirable and tough-to-master skill given how few major movie studios are willing to take chances on films with lower budgets that don’t employ a found-footage gimmick or generally look like they were made on an aglet-less shoestring budget. So…

Weekly Freebie: West Wind Glendale 9 Drive-In

See also: Scottsdale 6 Drive-in Theater Closes; is Featured in Upcoming Exhibition by William LeGoullon The drive-in movie is a quickly dwindling pastime in Arizona. Since the early 40’s, Arizona has seen the openings and closings of nearly 50 outdoor theaters, including the Rodeo Drive-In and the DeAnza Drive-In. Today,…

Celeste and Jesse Forever Suffers from a Scattered Narrative

In Celeste and Jesse Forever, the titular, newly separated female protagonist’s un-flamboyant queer co-worker (Elijah Wood) tells her “it’s time get your fuck on,” and then apologizes: “Sorry, I was trying to be your saucy gay friend.” Co-written by and starring Parks and Rec’s Rashida Jones, Forever is a notably…