Animal Kingdom Suffers for Its Ambition

Happily sampling nasty beats and riffs from the Scorsese catalog, the new Aussie crime saga Animal Kingdom begins with a hushed but breath-holding set piece: A gawky lad watches TV on the couch next to his dozing mum . . . until the already-summoned EMTs arrive and the boy calmly…

Arizona Underground Film Festival: Tickets Now on Sale

Tickets are now on sale for the third annual Arizona Underground Film Festival, which rolls through Phoenix and Tucson September 18 to 25. Last week, the festival announced the first six films to make the cut. What to expect: A comedy about German hit men, a surreal skateboarding flick, a…

The Last Exorcism: Trembling Before God and the Handheld Camera

With a small, well-chosen cast, sly script, and slippery, ambivalent characters, The Last Exorcism gives a welcome twist to the demonic-possession movie revival. A fourth-generation minister, Cotton Marcus (Patrick Fabian) of Baton Rouge’s Church of St. Mark was groomed for the pulpit. Onetime child preacher Cotton has grown out of…

The Tillman Story Chronicles a Family’s Search for the Truth

The Tillman Story, a documentary about the death of former Arizona Cardinal and Army Ranger Pat Tillman, opens in Los Angeles and New York City today.  The film, directed by Amir Bar-Lev (My Kid Could Paint That), chronicles the Tillman family’s search for the truth about Pat’s death in the…

Lottery Ticket: Bow Wow’s Strikes It Rich

Midway through Lottery Ticket, a teen-comedy-cum-wish-fulfillment fantasy, the movie’s hero, Kevin Carson, goes on a spending spree. The holder of a $370 million lottery ticket that he can’t cash in until after the July 4 holiday, Kevin accepts a $100,000 loan from a local gangster, and proceeds to spend it…

Scott Pilgrim vs. the World: Michael Cera Shows Some Soul

Edgar Wright’s Scott Pilgrim vs. the World is every bit as faithful to its source material (Bryan Lee O’Malley’s six-volume series about a 22-year-old go-nowhere man-boy fending off his new girlfriend’s seven evil exes) as Zack Snyder’s Watchmen was to his (Alan Moore and Dave Gibbons’ brooding comic-hero deconstruction). Both…

Get Low: A Hermit’s Life-Affirming, Pre-Death Funeral

“No Damn Trespassing, Beware of Mule!” warns the hand-carved sign posted near the high-country cabin of Tennessee recluse Felix Bush (Robert Duvall), whose abrupt decision to re-engage with the larger world propels Get Low, an imperfect but rewarding new film. It is 1938, and Felix, who’s been in a self-imposed…

Scott Pilgrim Vs. The World Plays Like a Video Game

Besides doing fun domestic partner stuff like arguing about why dirty socks don’t go on the couch and whose last name will come first in their hyphenated union, Phoenix New Times staff writer Niki D’Andrea and her girlfriend, Esther Groves, like to occasionally get out of the house for “dates.”…

Scottsdale International Film Festival Announces 2010 Lineup

For its tenth year, the 2010 Scottsdale International Film Festival plans to roll out a collection of seriously dynamic feature films. The five-day, thirty-film festival will screen several award winners, such as Reykjavík-Rotterdam, a thriller that, to date, is one of the most expensive films in Icelandic cinema history; the…

Kisses: Happily Ever After Not Included

Strictly speaking, the two scrappy Irish kids in Lance Daly’s Kisses aren’t homeless, but in every sense that matters, they have only each other for shelter. Kylie and Dylan (played by Kelly O’Neill and Shane Curry, both plucked from Dublin schools and oozing forlorn defiance) live next door to each…

Behind the Scenes of FilmBar Phoenix

Not too much beats a good movie and a drink. It’s why we’re pretty excited about FilmBar Phoenix, the independent theater opening this November at 815 N. Second Street. Since the departure of The Palms Theatre and the Sombrero Playhouse, downtown has been indie theater-less, and the multi-plex AMC at…

Wild Grass: Alain Resnais Does His Carrot-Topped Muse No Favors

Alain Resnais’ Wild Grass has plenty of fans — it copped an award at Cannes in 2009 — but I don’t see what they see. The 87-year-old filmmaker’s latest is an insufferable exercise in cutie-pie modernism, painfully unfunny and precious to a fault. Adapted from a novel by Christian Gailly,…

Dinner For Schmucks: Mental Disability as Comedy?

In Steve Carell’s first few episodes of the American version of The Office, his character, Michael Scott, hewed closely to the template created by the series’ British mastermind, Ricky Gervais. Scott, like David Brent before him, was cruel and obtuse, a nightmare of a boss who thinks he’s a leader…

Beat The Clock 48 Hour Film Challenge At Phoenix Art Museum

Some consider “amateur” to be a dirty word. I disagree. I’ve got nothing but respect for people who do something purely out of love, who don’t let their lack of training or skills get in the way of expressing their passion. One heartfelt work by an amateur is worth five…