Gettin’ Jiggy Again

Talk about striking while the iron is hot: It’s been only a year since Saw became an instant cult hit, as well as a topic of debate among horror fans. Was it an innovative new classic, or did the occasionally lackluster acting and ludicrous final twist doom it to also-ran…

Fairest of Them All

To the knowledgeable comic book fan, all one need say about MirrorMask is that it was scripted by Neil Gaiman and directed by Dave McKean, with a final product that, while less plot-heavy than most of Gaiman’s writing, faithfully adapts McKean’s unique drawing/collage style into three dimensions. Since those who…

Foiled Again

It’s been 85 years since Douglas Fairbanks slashed his way into the top tax bracket as the masked hero Zorro, and Hollywood still can find no reason to shut down the franchise. Technically speaking, The Legend of Zorro, starring Antonio Banderas as the guy with the sword and Catherine Zeta-Jones…

Mine Kampf

When we first see the protagonist of North Country, a working-class heroine portrayed by a deglamorized Charlize Theron, she’s sporting a black eye and a slight limp, the results of an encounter with her abusive husband. We soon learn that Josey Aimes is only now beginning to take her lumps…

Requiem for a Dreamer

DreamWorks is so eager to have you believe in its latest family movie that the words “Inspired by a True Story” are actually part of the title. Yep, Dreamer: Inspired by a True Story is the proper name, and publicists have been well-coached to say and write out the whole…

Moore’s the Pity

It’s always hard to pan an earnest film, especially one by a first-time director. And The Prize Winner of Defiance, Ohio, a plucky striver if there ever was one, can’t find a single cynical note on the scale. Essentially a hagiography in praise of Evelyn Ryan (Julianne Moore), a woman…

Crowe Flies Home

It happened almost with the first step off the airplane at the Toronto airport last month. Someone, a friend or merely a concerned stranger, would stop to warn you of impending peril. They would plead with you to avoid the danger ahead in Elizabethtown, the Cameron Crowe film that screened…

Exhuming McCarthy

Good Night, and Good Luck, a riveting movie that’s as entertaining as it is socially and politically important, could not have come at a more propitious time. But more than just the right film at the right moment, George Clooney’s sophomore directorial effort is dynamic filmmaking: brilliantly conceived, visually arresting,…

Keira Get Your Gun

Her name is Domino Harvey, and she is a bounty hunter. If you’ve seen even one TV spot or theatrical trailer for Domino, you’ve heard that message ground into your brain like an annoying jingle. What you may not know is that Domino Harvey was a real person, daughter of…

Better Mood

Cineastes swooned over Hong Kong director Wong Kar Wai’s 2000 film In the Mood for Love, a slow-as-molasses melodrama about two tediously formal people whose spouses are having an affair with one another. Thrown together by circumstances, they find themselves falling in love but, determined not to emulate their cheating…

Swift Kick

Elijah Wood is not a believable tough guy. Probably this comes as no great revelation to you. There’s a reason that the Lord of the Rings video games tend to focus on Aragorn, Legolas and Gandalf — Wood’s Frodo is a wuss, and everybody knows it. So any movie that’s…

Truth Syrup

It’s the cover-up, stupid! It doomed Nixon during Watergate, got Clinton impeached, inspired outrage against the Catholic Church, and apparently it’s just part of the day-to-day operations at places like Enron and Tyco. The initial crime is bad enough, but the conspiracy to hide it always ends up hurting more…

Goy Gevalt

Director Curtis Hanson, a journeyman only recently bestowed the title of Great Director, has already made his horror movie (1973’s The Arousers), his kiddy action comedy (1980’s The Little Dragons), his teen sex romp (1983’s Losin’ It), his handful of Hitchcock riffs (1987’s The Bedroom Window, 1990’s Bad Influence, and…

You Got Served

All the publicity for Waiting . . . has focused on the scene in which an annoying customer at the fictional chain restaurant ShenaniganZ sends her food back to the kitchen, where it meets with all sorts of nasty modifications, courtesy of some dandruff, pubic hair, and mucus. The teaser…

Say Cheese

Ah, Wallace and Gromit. Who doesn’t get a little lift at the sound of those names? Who doesn’t feel the edges of her mouth begin to tickle toward a smile, her heart grow warmer with images of the love between a (plasticine) man and his (plasticine) dog? Perhaps you’re not…

Monster in Hiding

Crónicas’ biggest claim to fame ought to be that it was Ecuador’s submission for the Best Foreign Language Film Oscar, but what most people tend to notice is that it stars John Leguizamo. Mixed messages ensue: “Oscar submission” makes one think of quality, while John Leguizamo’s name inspires visions of…

Malice Afterthought

Any thing can be anything to anybody, particularly in the case of David Cronenberg’s A History of Violence. If you want to believe that his new film, a loose adaptation of a little-known graphic novel, is a work of damning criticism aimed at the hypocrisy of Americans who believe violence…

Follow the Music

Thomas Seyr, the central figure in director Jacques Audiard’s kinetically charged new film The Beat That My Heart Skipped, is a young Frenchman torn between a life of crime and a career as a concert pianist. It’s hardly your usual dilemma — and hardly the usual French film, come to…

Artful Dodging

Oliver Twist It’s almost impossible to watch Roman Polanski’s rendition of Oliver Twist without drawing parallels between the deprivations endured by the book’s young protagonist and the director’s own brutal boyhood. A Jew raised in Nazi-occupied Poland, Polanski first tackled the Holocaust head-on in his 2002 film The Pianist, but…

Played for Fools

Anyone vaguely familiar with the rules of golf knows that you may not improve your lie, ground your club in a sand trap, or — most grievous of all — subtract strokes from your score. This last one apparently never occurred to the makers of a new movie with the…

Something Missing

In 2001, Jonathan Safran Foer made an astounding literary debut. “A Very Rigid Search,” published by The New Yorker, was his hilarious, heartbreaking account of an attempt by a young American man (named, cheekily, Jonathan Safran Foer) to find a Ukrainian woman who had saved his grandfather from the Nazis…

Sinking Feeling

Into the Blue offers precisely what one would expect from the director of Blue Crush and the writer of Torque: beautiful stupidity. Its every frame dripping from a noxious recipe of suntan oil, summertime sweat and salt water, this heist movie (or whatever it is, which isn’t much) delivers a…