Murderball is a gem of a little film, one that’s at very least worth renting in its inevitable DVD release. It’s also one of the most over-hyped indies of the season. It won a couple of awards at Sundance — the Audience Choice prize and another for editing — and…
It should come as no surprise that the hero and heroine of the new Michael Bay action extravaganza are clones. Exact copies of other people. You don’t get to be a Hollywood hitmeister like Bay — 200 Zillion Tickets Sold! — without indulging in formulas, and the characters Star Wars…
Gregg Araki likes to shock. That’s no secret to anyone who has followed the director’s career, but a cartoonish layer of unreality has usually kept the polymorphous sexual pairings and graphic violence somewhat at a distance. There’s a little bit of that in Mysterious Skin, but mostly it stays grounded…
Going to the theater this summer has been like stepping into a time machine where your fondest childhood memories are retooled by cynics and sadists. Bewitched, Herbie: Fully Loaded, last week’s Charlie and the Chocolate Factory, and now Bad News Bears are meant to be gobbled like comfort food by…
When rocker turned director Rob Zombie’s House of 1000 Corpses was released in 2003, after years of bouncing around between studios afraid to put their name on a movie about a cartoonishly murderous family, it was anticipated as a hard-core gore fest. Instead, it was a plotless mess, with decent…
MTV Films made a wise purchase in picking up Hustle & Flow at Sundance: The soundtrack is killer. Rapping over music composed by Three 6 Mafia and Al Kapone, star Terrence Dashon Howard has the skills. The rest of the songs heard on-screen, most of which fall into the uniquely…
If Vince Vaughn puts any effort into what he’s doing, it doesn’t show, which is perhaps one of the benefits of always appearing to be hung over. The man probably has to check the bags under his eyes at the airport, and he’s about as in shape as a toddler’s…
Roald Dahl’s inner child was evidently a contrary lad — precocious, dark-minded, contemptuous of adult supervision, and fueled by a sense of justice that often proceeded via cruel whim. In Dahl’s twisty children’s stories, villains throw kids out of windows, beautiful women turn out to be hideous witches in disguise,…
Me and You and Everyone We Know, the new film from writer/director/performance artist Miranda July, walked off with prizes at both the Sundance and Cannes film festivals. An audience and critical favorite, it follows an ensemble cast of characters, each of whom is longing to connect with another human being…
Movies based on comic books have become dime-a-dozen events — appropriate given that the cover price of these titles was 10 cents when they debuted decades ago. It wasn’t so long ago Warner Bros. teased the release of Richard Donner’s Superman by insisting, “You’ll believe a man can fly”; now,…
If you’re short on reasons to be grateful these days, look no further than March of the Penguins, the astonishing if imperfect nature documentary from first-time director Luc Jacquet. Hard times may have befallen you, but at least you are not a penguin, an animal destined to repeat a devastating…
Quite simply and quite literally, Steven Spielberg’s adaptation of H.G. Wells’ War of the Worlds is Close Encounters of the Third Kind turned inside out: They’re still out there, only this time the aliens are out for our blood, which they spray all over the countryside like so much red…
Martin Lawrence has never exactly been among the world’s more gifted comedians, yet his movies seem to keep raking in the cash, so there must be legions of loyal Lawrenceheads out there somewhere. But even they, who made financial successes of Black Knight and Big Momma’s House and National Security,…
You’re a talented young resident at a New York hospital, first-generation Chinese, and you happen to be gay. In fact, you’re dating a new and exciting woman, a dancer with the city ballet, and she wants you to share the relationship with the world — and your family. But can…
Bewitched may go down as the first movie about a fictional failed actor that created a real-life failed actor. This hackneyed, hapless, and utterly useless redo of an overrated 1960s sitcom is excruciating to sit through for a dozen reasons. But nothing is more intolerable than the sight of Will…
I envy people whose favorite television show is something well-written or intelligent. My cousin John loves The Mary Tyler Moore Show; my sister has seen every episode of The Dick Van Dyke Show a dozen times each. Even my mechanic favors smarty-pants programs like Seinfeld and Curb Your Enthusiasm. I,…
Not many people saw Lost and Delirious, the 2001 boarding-school drama about two girls in obsessive love, and that was probably for the best. Yes, Piper Perabo (Coyote Ugly) made a stunning androgynous rebel, but she couldn’t rescue the film from its unctuous self-importance. My Summer of Love, a bewitching…
Anyone who would insist that movie reviewing is not a real job (‘Sup, Mom) hasn’t been forced to sit through screenings of Bewitched and Herbie: Fully Loaded in the span of five days — and by forced, I mean either you see both movies, write 800 words about each, or…
It’s okay to be slightly afraid of Hungarian movies. Even critics don’t necessarily relish the thought of them, or look upon Budapest as a hotbed of filmmaking. As a matter of fact, it’s hard to recall the last time there was a good movie from the land that gave us…
DC Comics has kept its superheroes locked in a fortress of solitude for almost a decade, forcing the likes of Superman and Batman to warm the bench while longtime rival Marvel Comics’ Spider-Man and the Hulk and the X-Men and Blade galloped up and down the playing field. Not counting…
For all their exceptionality, there is also a numbing sameness to the movies of Hayao Miyazaki, the revered animator who has bewitched Japanese audiences since the late 1970s and bewildered American ones since 1999, when Princess Mononoke was among the first of his movies to receive significant stateside release. There…
It won’t ruin anyone’s experience of 3-Iron, the new film by Korean writer/director Kim Ki-duk, to reveal that it closes with a single epigraph: “It’s hard to tell that the world we live in is either reality or a dream.” Presumably, the correct translation would replace “that” with “whether”; even…
