Whatever you do, don’t accuse Ridley Scott of turning his back on a fight. Doesn’t matter if it’s slimy-fanged space aliens attacking Sigourney Weaver, Roman slaves in tough against hungry lions down at the Colosseum, or American GIs going at it with Somali insurgents. Sir Ridley is always happy to…
The new House of Wax — a remake, pretty much in name only, of the 1953 Vincent Price movie (itself a remake of a 1933 film) — manages to be gruesome and grisly, but it falls well short of being truly creepy, much less terrifying. Horror aficionados expecting the chills…
It is no great joy to review Palindromes, the latest film from writer-director Todd Solondz, who is loved by those who do not loathe him for such movies as Welcome to the Dollhouse, Happiness, and Storytelling. Advance word had Palindromes as Solondz’s most shocking film, which seemed impossible, given its…
Author Douglas Adams died at age 49 on May 11, 2001, of a heart attack suffered during a workout at a Santa Barbara, California, gym. His biographer, M.J. Simpson, blamed Adams’ demise in part on his unending battle to get The Hitchhiker’s Guide to the Galaxy on a big screen,…
Most contemporary thrillers aren’t concerned with moral dilemmas; the emphasis is on action and intrigue. The Israeli film Walk on Water — which, conveniently for American audiences, is primarily in English (the rest is in Hebrew and German with English subtitles) — not only raises questions about right and wrong,…
Agent Fox Mulder, the coolly instinctual sleuth of The X-Files, got pretty good at unraveling paranormal mysteries. If only the actor who played him were as adept at solving the riddle of his movie career. David Duchovny’s new vanity project, House of D, is the tortured tale of a 13-year-old…
When was the last time you walked out of a theater feeling shell-shocked, saying to anyone who would listen (in language more profane): “Dude, that was some seriously messed-up stuff!” Not your garden-variety messed-up stuff, mind you, like in Saw. Not the messed-up revelations of political docs. We’re talking the…
Among the many mysteries surrounding The Interpreter is the one that finds Sydney Pollack heralded as a major American director, a maker of Serious and Important Movies. His filmography, marked by mawkish mediocrities (Out of Africa, as vibrant as a coffee-table book; The Way We Were, its romance as plausible…
Amanda Peet. Ashton Kutcher. Romantic comedy. Who’d have thought it could work? And yet A Lot Like Love is an entertainment success, a triple threat of fresh writing, inspired directing and, yes, good acting. Fortified with a healthy dose of intelligence, it manages to leap clear across an entire field…
“No more soccer!” declares small-time thug Sing (writer/director/star Stephen Chow) as he vigorously stomps on a child’s ball. In the context of Kung Fu Hustle, it’s a pathetic attempt by Sing to make himself look tough. The larger signal, however, is to followers of Chow’s work — it’s a direct…
I confess: I didn’t want to see Never Been Thawed when it premièred here about a year ago. I went to the film’s screening as a favor to a friend, whose best friend’s daughter appears fleetingly in one scene, but I’m not a big fan of independent films — especially…
Sean Anders would like you to know this movie thing isn’t as easy as it looks. When he and a friend, Chuck LeVinus, decided to give filmmaking a go three years ago this June, the idea was to put together something loosely resembling a script, harass friends into becoming on-screen…
The Groden family lives out in the middle of the New Mexico desert, far from main roads. They grow, harvest and/or kill all their own food, own their own home, and make what little money they need from crafts. They’ve got no phone or indoor plumbing, and they haven’t paid…
If nothing else, give Dana Brown credit for enthusiasm. A documentary filmmaker in name only, he is really the camera- and microphone-equipped president of several booster clubs — among them what might be called the International Society of Beach Bums and, thanks to his latest exercise in hero worship, the…
Let’s assume, for the sake of argument, that your moviegoing family is absolutely up to date on every major release this year. Not a Friday goes by that you don’t go see something new. Then you look in the paper and see that the only major release coming up this…
When the great playwright Arthur Miller died in February, many admirers took stock again of his most enduring creation, Willy Loman. A delusional idealist who finds himself failed and felled by the American dream, the tragic hero of Death of a Salesman has for half a century been the most…
Everyone with a TV remembers President Bush in the flight suit, landing on that aircraft carrier, standing in front of a “Mission Accomplished” banner, and triumphantly declaring that major combat operations in Iraq were over. Two years on, many feel like asking exactly what he meant by that. Gunner Palace…
Last year, the Simmons family of Needham, Massachusetts, just outside Boston, sent Christmas cards for the first time in more than 20 years. “We send out Xmas cards about as often as the Red Sox win the World Series,” the card very cleverly proclaimed. This movie is for them. In…
Almost as wide as he is tall, with a round but unremarkable face, Schultze doesn’t look like a rebel. Truth to tell, he looks like Curly of Three Stooges fame, or, less kindly, a mass murderer (well, he does bear a passing but disturbing resemblance to John Wayne Gacy). Schultze…
Sahara is a stunning piece of work — stunningly inept, stunningly incoherent, stunningly awful in every single way imaginable. How this didn’t go directly to video or cable or airplane or bootleg is unfathomable. Actually, that’s not entirely true. It gets a proper blockbuster theatrical release through Paramount Pictures because…
Does the world really need a new film from Woody Allen every single year? Yes, he is one of America’s great auteurs. Yes, he’s responsible for some very fine movies, many of them comedies (Annie Hall), several of them tragedies (Crimes and Misdemeanors, Another Woman), and some hovering in that…
If nothing else, Robert Rodriguez’s Sin City, co-directed with Frank Miller (and Quentin Tarantino, for a few seconds), will be remembered as the most faithful comic-book adaptation ever put on film (or high-def video, anyway). Rodriguez uses Miller’s hyper-noir serial, published over a 10-year period, as storyboards for the movie…
