Michael Mann’s Miami Vice is like a car that’s been stripped of everything but its two bucket seats and rebuilt from the ground up. The protagonists are a pair of detectives named Sonny Crockett (Colin Farrell) and Ricardo Tubbs (Jamie Foxx), and a cover of Phil Collins’ “In the Air…
The Ant Bully is based upon a very short children’s book by John Nickle, who wrote and illustrated the 1999 work all by his lonesome after years of providing illustrations for The Wall Street Journal and Sports Illustrated, not to mention other works of kiddy lit. The book, as most…
Originally, Ward Serrill set out to make a documentary — and a short one at that — about Bill Resler, an avuncular tax professor at the University of Washington who thought he knew enough about basketball to coach the girls’ team at Roosevelt High School in Seattle. Never mind that…
For 35 years, Woody Allen was a long shot to stray into the Bronx or Staten Island, much less the alien reaches of London, England. The creator of Manhattan has always been joined to his chosen borough like pastrami on rye — so when he ventured abroad last year to…
Two weeks ago, a colleague insisted that Superman Returns isn’t a remake of the 1978 original, as I wrote, but a reinterpretation — its melancholy flip side. Where the Christopher Reeve model was pop art and a cool breeze, the Brandon Routh version is heavy and solemn, weighed down by…
It would be a mighty sweet thing to see M. Night Shyamalan as the great redemptive storyteller he clearly thinks he is — or as he portrays himself in those American Express commercials. Genuine yarn-spinning, even as a doomed ambition, is virtually extinct in American movies; what had been the…
In the latest extravaganza from executive producers Steven Spielberg and Robert Zemeckis, millions of dollars and long hours in the digital animation studios have produced . . . a photorealistic, computer-animated, generic American suburb! Location costs must be getting pretty damn expensive nowadays. As Monster House begins, we follow a…
Slipped into the summer movie season like acid in your Happy Meal, Richard Linklater’s A Scanner Darkly is a blockbuster of counterprogramming. No matter that the dude from The Matrix is its star — or would be, if he weren’t half-hidden under a thick swath of digital paint. Linklater’s return…
Owen Wilson has moved up in the world: He’s gone from crashing weddings to crashing entire marriages. In the listless farce You, Me and Dupree, his titular ne’er-do-well shows up on the doorstep of his childhood friend Carl (Matt Dillon), having lost his job and been evicted from his apartment…
Perhaps no one can pinpoint the exact moment vaudeville died, but there’s a moment early in Strangers With Candy where you’d swear you had just witnessed the death of visual comedy. En route to her first day of high school, a tarty middle-aged jailbird — this is not a Disney…
The fact that 2003’s Pirates of the Caribbean: The Curse of the Black Pearl was such a hit had much to do with viewers’ pre-launch expectations, which were approximately none. Who could have been blamed for thinking a Gore Verbinski-directed, Jerry Bruckheimer-produced movie based on a theme-park ride would proffer…
After all that, just . . . this? After all the anticipation, all the hype, all the product available on toy-store shelves and kiddy sections at bookstores, after all the promise that this would be the most super of Superman movies, all we get is just this . . …
For an industry in decline, print journalism has done a fashion publicist’s job of staying in vogue, particularly among the more stylish of career-seeking college grads. Never mind telling these BlackBerry-toting eager beavers that even an unpaid gig in the field is as rare as a winning lottery ticket: The…
It can’t be easy making films about war. It’s so inherently dramatic that, as a setting for art, it’s overdetermined; it drips with meaning even before the first scenes are set. And so much has been said already: War is hell. War is noble. War is surreal. War is absurd,…
It may not be an “iconic manifestation of civilization,” as documentarian Ken Burns proclaims, but the New York Times crossword puzzle is undoubtedly an institution. Printed every day for the past 64 years, in weekly cycles of increasing difficulty, the puzzle draws politicians, working stiffs, comedians, musicians, coders, and homemakers…
Click may be the first Adam Sandler movie in which the high concept isn’t dependent upon the star. Sandler comedies tend to take his standard character of the petulant man-child with anger-management issues and place him in different wacky situations: elementary school (Billy Madison), the golf course (Happy Gilmore), the…
About three-quarters of the way through Waist Deep, the hero of the piece — an indestructible ex-convict who calls himself O2 (2 Fast 2 Furious star Tyrese Gibson) — peers out through the swirling smoke and the bloody mayhem of an urban killing ground and experiences a revelation. “Somethin’ ain’t…
There is no movie more overrated in recent history than Napoleon Dynamite; it’s to cinema what The Doors are to rock and roll, a thing blindly and inexplicably championed as though it were a religion above being blasphemed by nonbelievers. And every time someone tries to explain its appeal –…
Remember what a fun couple Sandra Bullock and Keanu Reeves were in Speed? Well, forget that. In The Lake House, Warner Bros.’ slow and heavy kickoff to the summer romance season, Bullock and Reeves play the mopiest lovers to hit the big screen since Tony and Maria channeled Romeo and…
Given that John Singleton directed the second movie in the Fast and the Furious franchise, it makes a perverse kind of sense that Justin Lin would follow. Just as Singleton did with Boyz N the Hood, young Lin quickly made a name for himself with a powerful breakthrough film that…
Cars, the latest vehicle to roll off a Pixar assembly line that has thus far yielded nothing but spit-shined classics, answers that age-old question: What would Doc Hollywood have been like had it been populated entirely by, ya know, cars? If the promise of that particular premise — in which…
Like the Grand Ole Opry plopped into a fragrant barn at the county fair, Garrison Keillor’s A Prairie Home Companion befits its roots in frosty Minnesota soil through its worldview, Buddhist by way of Scandinavia: Life is about suffering. The wind chill is below zero and so is your spouse;…
