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See which Arizona lawmakers voted to release the Epstein files

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Film, TV & Streaming

Showing 397 - 418 of 5986

Peoria Film Fest Brings the Arthouse to the Avenues

By Jason KeilOctober 17, 2018

Local films and Oscar contenders will be screened.

Jamie Lee Curtis Rules, but the New <i>Halloween</i> Works Against Her

Jamie Lee Curtis Rules, but the New Halloween Works Against Her

By April WolfeOctober 17, 2018

We meet Laurie in her super-sealed woodsy compound, almost 40 years to the day after the murders that took place in 1978 — this film negates all the previous Halloween sequels

Chalamet, Carell Face Cycles of Addiction in Tender <i>Beautiful Boy</i>

Chalamet, Carell Face Cycles of Addiction in Tender Beautiful Boy

By Chuck WilsonOctober 17, 2018

For Nic and his family, rehab becomes sobriety becomes relapse, a pitiless cycle of hope and disappointment too many of us will experience at one time or another, either as addict or loved one

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Tamara Jenkins’ <i>Private Life</i> Is the Best Reason This Year to Keep Your Netflix

Tamara Jenkins’ Private Life Is the Best Reason This Year to Keep Your Netflix

By Alan ScherstuhlOctober 16, 2018

Its leads, feminist writer Rachel (Kathryn Hahn) and Richard (Paul Giamatti), a one-time wunderkind of no-budget theatrical productions, find themselves desperate to conceive a child even as the doctors they pay (with borrowed money) thousands to speak frankly of the odds

<i>Better Call Saul</i> Is TV’s Great Drama About American Work

Better Call Saul Is TV’s Great Drama About American Work

By Lara ZarumOctober 15, 2018

Who’d have thought a show about the origins of a shyster/lawyer with a fake name whose clients are murderous drug dealers would turn out to be TV’s most satisfying depiction of an honest day’s work?

Clever but Empty, <i>Bad Times</i> Throws Back to the Tarantinoid ’90s

Clever but Empty, Bad Times Throws Back to the Tarantinoid ’90s

By Alan ScherstuhlOctober 12, 2018

Bad Times is a much better time in its mysterious middle, which tingles with darkly comic possibility, than in its final 40 minutes, when Goddard’s cards are on the table

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France’s <i>The Apparition</i> Makes a Fine Mystery Out of a Sighting of Mary

France’s The Apparition Makes a Fine Mystery Out of a Sighting of Mary

By Alan ScherstuhlOctober 12, 2018

Young Anna (Galatea Bellugi), intense and charismatic in the manner of another teenaged French seer, reports that Mary has imparted to her a message calling for the building of a church and caring for the world’s poor

Damien Chazelle’s <i>First Man</i> Tracks the Small Steps Behind That Giant Leap

Damien Chazelle’s First Man Tracks the Small Steps Behind That Giant Leap

By Bilge EbiriOctober 11, 2018

A tense, terse drama that plunges us headlong and handheld into the high-risk world of the space race in the 1960s, the film spares few moments for reflection or reverie

<i>The Hate U Give</i> Gives Powerful Voice to a Young Woman’s Outrage

The Hate U Give Gives Powerful Voice to a Young Woman’s Outrage

By Alan ScherstuhlOctober 11, 2018

The Hate U Give takes time to focus on the nuances of Starr’s life, on the ways Williamson has split her consciousness, on the effort of code-switching, on the layers of self that Starr must sort through in everyday interactions

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Like Its Alien Goo, <i>Venom</i> Is at War With Itself

Like Its Alien Goo, Venom Is at War With Itself

By Bilge EbiriOctober 5, 2018

This alien being, which helpfully calls itself Venom, is a fairly terrifying creation: a many-fanged, slobbery, snake-tongued monster that loves to eat people’s heads

Robert Redford Twinkles as <i>The Old Man & the Gun</i>’s Career Crook

Robert Redford Twinkles as The Old Man & the Gun’s Career Crook

By Alan ScherstuhlOctober 4, 2018

Each beat of this plays out with exquisite delicacy, as does the exchange where the crook lays out, with exacting detail, how he’d rob this diner if it were a bank — and then takes it all back, letting her think he was joking

Rock-Climbing Doc <i>Free Solo</i> Thrills and Terrifies

Rock-Climbing Doc Free Solo Thrills and Terrifies

By Alan ScherstuhlOctober 4, 2018

The filmmakers capture Honnold’s 2016 and 2017 attempts to complete the first “free solo” climb of these granite cliffs, and the suspense is thrilling, agonizing, perhaps indecent

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Bad-Cop Drama <i>Monsters and Men</i> Channels Helplessness in a Time of Outrage

Bad-Cop Drama Monsters and Men Channels Helplessness in a Time of Outrage

By April WolfeOctober 3, 2018

At times, Green’s film feels too familiar, exploring what we already know — cops can be dirty and may retaliate if they’re crossed

The Flashy <i>Studio 54</i> Keeps Too Much That Matters Behind the Velvet Rope

The Flashy Studio 54 Keeps Too Much That Matters Behind the Velvet Rope

By Alan ScherstuhlOctober 3, 2018

Footage of Studio life — the lavish lights, the Broadway-style props and performance numbers, the heaving mass of beautiful people — plays here mostly in chaotic montage, with few shots related to the one coming next

<i>Night School</i> Is Hilarious When It Actually Lets Its Stars Go Wild

Night School Is Hilarious When It Actually Lets Its Stars Go Wild

By Bilge EbiriOctober 3, 2018

The idea practically sells itself: Kevin Hart has to take night classes to get his high school degree, and Tiffany Haddish plays his suffer-no-bullshit teacher

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Hard Topics Tackled in Phoenix Art Museum’s Short Film Showcase

Hard Topics Tackled in Phoenix Art Museum’s Short Film Showcase

By Angelica CabralOctober 2, 2018

Don’t expect a happy ending in these films.

Bradley Cooper’s <i>A Star Is Born</i> Earns Every Tear It Jerks From You

Bradley Cooper’s A Star Is Born Earns Every Tear It Jerks From You

By April WolfeSeptember 30, 2018

To fall in love with A Star Is Born is to embrace these paradoxes and, to quote a song Gaga sings in the film, go “off the deep end” and submerge oneself “far from the shallow.”

Keira Knightley’s <i>Colette</i> Storms Paris and All the Rules of Sexuality

Keira Knightley’s Colette Storms Paris and All the Rules of Sexuality

By Alan ScherstuhlSeptember 28, 2018

As her marriage opens up, and Colette begins to take lovers of her own, Knightley summons up a moving sense of both relief and recklessness

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The Irrepressible <i>Science Fair</i> Charms and Pleases — But What About the Science?

The Irrepressible Science Fair Charms and Pleases — But What About the Science?

By Alan ScherstuhlSeptember 28, 2018

The cameras aren’t even there when the kids officially present their projects, but the filmmakers still wring the big day for all the drama they can, putting off as long as possible the revelation of whether any of their subjects win

<i>The Sisters Brothers</i> Upends the Masculine Codes of the Western

The Sisters Brothers Upends the Masculine Codes of the Western

By April WolfeSeptember 27, 2018

Ultimately a story about brotherhood, friendship and the insecurity of life in a violent place, the film injects a sweetness and innocence into the genre, mostly through one stellar performance by John C. Reilly

Unlike Joan Jett’s Music, <i>Bad Reputation</i> Doesn’t Cut Deep Enough

Unlike Joan Jett’s Music, Bad Reputation Doesn’t Cut Deep Enough

By April WolfeSeptember 27, 2018

Too bad, then, that even Laguna’s input doesn’t get to the heart of Jett’s essence, as Bad Reputation comes off more as a fanboy’s declaration of reverence to the queen rather than an interrogation of one of the most iconic women in music

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Catch a Screening of <i>Sorry to Bother You</i> With Director Boots Riley

Catch a Screening of Sorry to Bother You With Director Boots Riley

By Douglas MarkowitzSeptember 26, 2018

The film stars LaKeith Stanfield as a telemarketer climbing a corrupt corporate ladder.

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