Here’s the first thing that’s audacious about What the Bleep!?: Down the Rabbit Hole, the second installment in what has become a franchise of oversimplified science, outlandish speculation, and woo-woo spirituality: It’s not a sequel. It’s a revision. Shamelessly, Rabbit Hole uses extensive footage from the first film, including the…
A Good Woman, Mike Barker’s adaptation of the Oscar Wilde play Lady Windermere’s Fan, has been gathering dust for some time. It played the Toronto Film Festival in the fall of 2004 before opening in 2005 in every country in the world except this one. Such dawdling doesn’t bode well…
January has earned its reputation as the month in which studios unload all their cheapie horror flicks, but February is the month when we invariably get yet another middle-of-the-road black-urban-professional romantic comedy. (It’s both Black History and Valentine’s month, hence the logic.) In that regard, Something New is anything but…
There is evidently no limit to the sacrifices actors will make for their art. If you thought beautiful Charlize Theron went the distance by transforming herself into a bloated, scowling murderess for Monster, just wait ’til you and the kids get a load of Emma Thompson in the darkly amusing…
No one has ever mistaken Rocky Balboa for an officer and a gentleman, but that’s just about what we get in the numbingly predictable and none-too-stirring Annapolis, an underdog-makes-good boxing movie stuffed inside what amounts to a U.S. Navy recruiting pitch, with a dash of Good Will Hunting tossed in…
With the release of The White Countess, the much-honored Merchant Ivory canon is complete. The Bombay-born producer Ismail Merchant died in May 2005 at age 68, and whatever direction his longtime collaborator and life companion, director James Ivory, now chooses, the working partnership that gave us a dozen elegantly furnished…
America — and, by extension, Hollywood — has an obsession with innocence and the loss thereof. Every generation has that Moment When Everything Changed, from Pearl Harbor to JFK’s assassination to 9/11. The impact takes a while to settle in, then people forget again, and future generations are similarly traumatized…
The critical consensus has Match Point as Woody Allen’s finest film since . . . oh, let’s see . . . Bullets Over Broadway, is it? Or perhaps Deconstructing Harry? Or maybe Sweet and Lowdown? One forgets where the good stuff left off, because there’s been so much bad stuff…
Albert Brooks, the once-funny comic turned filmmaker, plays a once-funny comic turned filmmaker named Albert Brooks in Looking for Comedy in the Muslim World, which he also wrote and directed. It’s the second time Brooks has played himself, more or less; the first was in 1979, when he made Real…
We popcorn-chomping hitchhikers never know who will pick us up on the roadside. In Flirting With Disaster, it was a neurotic Manhattan adoptee on a nationwide search for his biological parents. The desert-parched heroines of Thelma & Louise brought us along as they raised hell en route to their doom…
Over the years, moviegoers who double as sports fans have had ample opportunity to pick and choose their favorite miracle — Shoeless Joe Jackson emerging from the tall corn, Rudy suiting up for Notre Dame, Rocky going the distance with Apollo Creed, the U.S. hockey team taking down the Russkies…
Over the centuries, the legend of Tristram and Iseult has fueled the derring-do of King Arthur, aroused Richard Wagner’s operatic thunder, driven poets as diverse as Shakespeare, Tennyson, and Edwin Arlington Robinson to the heights of passion, and helped stock the back streets of Manhattan with companies of leaping Jets…
What’s an unemployed former superspy to do? Faced with a midlife career change, suave Pierce Brosnan seems to have chosen wry self-mockery, reinventing himself as a scruffy, fallen James Bond surrogate, sometimes still furnished with a license to kill and a certain gift for cool, but far more likely now…
When a movie promises that a character played by Queen Latifah may well die during the course of the action, one might hope that the movie in question is Hostel, so that she could be beaten a few times and then dismembered, ideally by someone who sat through The Cookout,…
When your movie critics’ tastes range from Jane Austen to Rob Zombie, there’s bound to be some turbulence come award time. Perhaps not surprisingly, determining the year’s best films is something of an imprecise science here: Our top movie was anything but a unanimous pick among the five critics –…
If you go to Rotten Tomatoes, the Web site that compiles more than 100 film critics’ reviews each week, you will find at the top of the “Certified Fresh” list a single movie that was the very best-reviewed of 2005. It was not a remake or a sequel, nor did…
War is hell, but it can also be high drama. In boots-on-the-ground documentaries like Gunner Palace and Occupation: Dreamland, we got a discomfiting look at the brutal realities and moral ambiguities of America’s war in Iraq, where the death toll rises along with the administration’s rhetoric. “I want some answers,”…
Amid Hollywood’s zillion-dollar explosions and computer-enhanced trickery, plenty of quieter, better films sneaked into theaters virtually unnoticed this past year. Following are our reviewers’ favorite overlooked movies of 2005. Some of them never made it to local screens, but many have since made it to the video store: Balzac and…
Hollywood served up no shortage of literary adaptations in ’05, but only one of them — see Thumbsucker, as soon as possible — was an unqualified success. Even Andrew Adamson’s The Chronicles of Narnia, with its obviously digitized armies and its emotional disconnect from the material, was largely a disappointment…
It’s an unavoidable trend — if two movies make a trend, that is — so much so that if you Google the phrase “the return of the R-rated movie,” the first hit takes you to the tsk-tsking Family Media Guide’s article on the very topic, along with its list of…
What a difference a year makes. In 2004, Michael Moore’s Bush-bashing Fahrenheit 9/11 was not only the most-watched and most-debated doc in release, but also among the highest-grossing movies of the year. This past year’s most-watched and highest-grossing documentary was, of course, March of the Penguins, which was about as…
Until this year, nature documentaries generally found their homes at PBS and Animal Planet, enjoying modest audiences made up of children and scientists. Then came March of the Penguins, which earned close to $80 million at the box office and is still playing in some areas six months after its…
