In A.D. 2004, as the five remaining members of the legendary Monty Python comedy troupe lie in coffins in a Vanity Fair spread to jeer at their own deaths, it’s really nice to have them back together commanding the big screen. Behold anew their wonderfully wiggy Monty Python’s Life of…
Some of the best performances of the year can be found in Mean Creek, a small independent film that marks the auspicious feature debut of 31-year-old writer/director Jacob Aaron Estes. An ensemble drama with a relatively unknown cast, the film looks at six kids and what happens when an innocent…
“Ash is feeling a little bit under the weather, so I’ll be taking charge.” So says Shaun (Simon Pegg) to his valiant crew of appliance salespeople, but if you don’t get the real meaning, you’re probably not part of the target audience for Shaun of the Dead. Ash, for the…
The very best thing about A Dirty Shame, a giddy sex farce from John Waters, is the credits. What’s not to love about a list of characters that includes “Sylvia Stickles,” “Marge the Neuter,” “Fat Fuck Frank,” “Cow Patty” and “Tire Lick Boy”? The soundtrack, too, bears comic fruit, with…
In this year of political movies, in which agendas serve as plots, comes the unlikeliest candidate of them all, The Forgotten, in which the climactic moment hinges upon the belief that a child’s life begins at conception and not in the delivery room. To explain any further would reveal too…
Silver City is being marketed as a biting, bitter send-up of George W. Bush. Hence the copious use of trailer footage in which Chris Cooper, as Colorado gubernatorial candidate Dickie Pilager, stumbles over simple sentences, dodges reporters’ questions with mindless macho explications (“My message to the criminals is this: You…
Fortune smiles on groovy egregiousness. In the case of Sky Captain and the World of Tomorrow, the filmmakers’ investment in their weird visions is wildly unorthodox, but the payoff is oddly satisfying. The movie features myriad killer robots, raucous underwater dogfights, and Laurence Olivier’s best work since he died 15…
Mr. 3000 has low aspirations, which suits it well. It’s about a 47-year-old baseball player trying to get three meager hits and the team for which he plays trying to climb out of fifth place and into third by the season’s rapidly approaching end. Not much to root for, is…
If Ghost in the Shell 2: Innocence were a live-action sequel, there would be a lot of gossip about star histrionics, creative conflicts and so forth. Since the original Ghost in the Shell, first released nearly 10 years ago, made an anime icon out of its star, the frequently nude…
There is nothing mysterious or subdued about Stacy Peralta’s enthusiasms. A product of Southern California’s vivid beach scene, he’s been a surfer since boyhood and was a professional skateboarder in the ’70s before he started making documentaries about the defining moments of those sports. The phenomenally successful Dogtown and Z-Boys…
The most crucial piece of equipment in Hollywood is obviously not the movie camera. It’s not the casting couch. Not even the Rolls-Royce Silver Cloud or the personal trainer. It’s the Xerox machine — which was preceded by carbon paper. That’s why, over the years, we have had three Mrs…
In Victorian England, 40,000 novels were published every year. Of the few that have endured, perhaps none is more worthy of a film adaptation than William Thackeray’s Vanity Fair, if for no other reason than this: It’s a chore to read. Clocking in at 850 pages, with frequent excursions into…
It’s a real credit to Intimate Strangers director Patrice Leconte that even though his film features a couple of ridiculous contrivances to get the plot going, the overall film still feels very true. Leconte has a gift for depicting the quirks of odd relationships; his last film, Man on the…
In We Don’t Live Here Anymore, an overwrought domestic drama about a pair of entangled couples, Peter Krause plays philandering writer Hank Evans, struggling to produce as he propositions female students at the college where he teaches. Blithely pretentious, fretful only over his writing, Hank observes from a distance as…
Oh, Janis. Oh, gorgeous, outrageous, soul-ripping, rockin’ bluesy mama Janis Joplin. She’s a volcano. She’s a tsunami. She’s a fearless, reckless, raging American beauty. Watch her tear open her chest to reveal her hot, pulsing wounds. Watch her rage with burning, glorious light. Watch her smile that sweet Janis smile…
Whatever is worthwhile about The Hunting of the President — a new documentary on the right-wing attack dogs that conspired to bring down Bill Clinton throughout his presidency — the film is plagued by a single, damning problem: It was made by Harry Thomason. Thomason is an über-F.O.B., a very…
There’s a new movie called Hero. Don’t confuse it with that dusty Dustin Hoffman vehicle, nor with the epic Bollywood musical espionage extravaganza Hero: Love Story of a Spy (though that’s worth a mind-altering look if you can find it). America and India aren’t directly involved here, but huge imperial…
Winner of the Dramatic Audience Award at the 2004 Sundance Film Festival, Maria Full of Grace is an uncomfortably realistic look at a 17-year-old Colombian woman who, desperate for a job, agrees to swallow capsules of heroin and transport them to New York. Although a work of fiction, the film…
Those of us who have grown up in the United States may be weary of our country’s claims of freedom and opportunity. Faced with a wobbly quote from our leader attributing terrorism to envy, we might roll our eyes, aware of a reality far darker and more complex. But there…
You know how fear is scary? Well, director E. Elias Merhige is into that, especially in his new serial-killer thriller Suspect Zero. Absent, however, is the dark-comic malevolence the director smartly cultivated in his successful and disquieting Shadow of the Vampire a few years ago, bullied and bulldozed out of…
It should go without saying that when one goes to see a movie about giant killer snakes, the main point of the whole endeavor is to watch people get eaten by giant killer snakes. Hardly rocket science, that. But while Anacondas: The Hunt for the Blood Orchid does feature a…
The future is almost here. At least, it is according to screenwriter Frank Cottrell Boyce (Pandaemonium) and director Michael Winterbottom (24 Hour Party People), two cinematic visionaries whose combined vision in Code 46 sparks tremendous intrigue — and unrest. At once a weirdly familiar sci-fi trip, a bleak romance, a…
