Presently sitting in a very peaceful meditation facility. First time here. The location (which shall remain unnamed so as to maintain nondenominational vibe) was selected specifically for the loving creation of this review, as it provides an almost perfect contrast to The Center of the World, the new motion picture…
Chances are you don’t know a whole lot about Angel Eyes other than the fact that it’s the brand-new Jennifer Lopez movie. Maybe you also know that it co-stars Jim Caviezel (periodically known as James; he doesn’t seem to have fully decided yet). It’s been described in some articles as…
With the canon of Jane Austen all but exhausted, literary filmmakers continue their assault on Edith Wharton, another sharply observant writer of yore with something timeless to say about the plight of women. Terence Davies’ The House of Mirth, from Wharton’s beautifully detailed, ironically titled 1905 novel about a mannerly…
Let us first in olden verse this critic’s cynical curse disperse: The greet unwashede consummethe crappe, Fro Jerrye Springgere to ganggsta rappe; Bothe yonge and olde, ’tis sore pitee, Doth foule thir hertes with drede teevee, Thus slye produceres, with bisynesse cunning, Devysde a shew to pyne come running Consummeres…
At first glance, 1999’s The Mummy, starring Brendan Fraser as a lantern-jawed Indiana Jones-in-waiting facing off against an undead Telly Savalas look-alike, played like knowing spoof, a lighthearted, if half-assed, remake of the 1932 film starring Boris Karloff. At first listen, it was one big joke, a horror-movie parody masquerading…
Just when we culturally deprived, mystery-starved Americans were convinced that that most delicious of movie genres, the French thriller, was dead and buried, a literate and exciting new filmmaker named Dominik Moll has emerged to revive it — and set our nerves exquisitely on edge. It’s a minor miracle that…
The directorial debut of actress turned screenwriter Agnès Jaoui (Same Old Song, Un Air de Famille), The Taste of Others is a work of delicate observation, falling somewhere between romantic drama and comedy of manners.Mr. Castella (Jean-Pierre Bacri, the director’s husband and co-writer) is a wealthy businessman whose life leaves…
Visualize a pretty young woman and a handsome young man heading for the bedroom. She has just suggested that she wants to show him what she really wants, so, naturally, he begins unzipping his trousers en route to the bed. Oblivious to his loud boxers, she sits and begins swooning…
Somewhere, in deepest New South Wales, Australia, there exists a humble sheep paddock. (In this particular case, the paddock is nearly devoid of sheep — barring the odd sound effect — but never mind that.) The setting is rural, it’s pastoral, it’s quaint as all heck — and it also…
So which is correct — “more leathery” or “leatherier”? What the heck, let’s try them both: Paul Hogan, who was leathery in “Crocodile” Dundee, and leatherier in “Crocodile” Dundee II, is more leathery still in the dreary Crocodile Dundee in Los Angeles.Leathery or not, the Australian, now around 60, looks…
There’s a majesty to Michael Winterbottom’s new film, a majesty and a terrible, icy chill. There’s also a fair bit of invention, as the director of the wrenching Jude — based on Thomas Hardy’s Jude the Obscure — has shifted the locus of that author’s fierce, beloved English west country…
Justice may be blind, but vengeance, it turns out, has a very short memory. So it goes in Memento, the much-anticipated “puzzle” movie from Christopher Nolan (Following), which — as is already fairly well known — plays out its plot more or less in reverse. Pitting the protagonist (and us)…
If you don’t like Tom Green, there’s no point in going anywhere near Freddy Got Fingered, as it won’t win you over. If you don’t know much about Tom Green but are curious, you might be well advised to watch videotapes of his show first, and be aware that inasmuch…
“Keep a diary and one day it’ll keep you,” said Mae West, and while the sentiment rings true, it does little to explain the mystery of why Helen Fielding’s sliver of literary history managed to keep anyone. Fluffy, shrill and approximately as deep as Cosmo magazine, the book somehow hit…
Josie and the Pussycats is not a comedy, and it’s even possible the movie’s not a work of fiction, despite being “based on” Dan DeCarlo’s 38-year-old Archie Publishing comic book. It’s tempting to brand the film as documentary, this year’s Scared Straight. There’s very little that’s funny about a movie…
Kingdom Come
Hello, what’s this? Why, could it be another cautionary tale from Hollywood about recreational drugs being — alert the media! — not particularly good for people? (If only they could try the same with guns. Messrs. Heston and Silver: You awake yet?) Indeed, with Blow, director Ted Demme (Beautiful Girls,…
Easily the most creepy (and, by far, most interesting) thing about Along Came a Spider, yet another adaptation of one of James Patterson’s alleged mystery novels featuring beleaguered Detective Alex Cross, is how much co-star Monica Potter looks, sounds and acts like Julia Roberts. Granted, it’s hardly a startling revelation…
French director Patrice Leconte is a chameleonlike talent: Among his films to reach American screens are the psychological thriller Mr. Hire, the period satire Ridicule and the offbeat comic romance The Girl on the Bridge. But, in truth, all of Leconte’s films are romances at heart, though they are often…
Amidst the plethora of films with Freddie Prinze Jr., Mena Suvari, Chris Klein and Jason Biggs, it’s nice — in theory, at least — to see a contemporary romantic comedy, like Someone Like You, in which the characters, while hardly over the hill, are all over 30. In practice, however,…
Hollywood appears to be developing a healthy sense of humor about Valentine’s Day, which, from this cynic’s perspective, is a good thing. In the new millennium, rather than dole out romantic trifles like Return to Me as per the usual plan, we’ve seen Valentine (bitter ex-nerd cuts beautiful people to…
As its title suggests, Spy Kids is an action fantasy aimed primarily at the preteen/early-teen audience. For all its thrills — and it has plenty — it’s strictly a PG film . . . which is all the more surprising when you consider its source: Robert Rodriguez, master of bloody…
