Independence Day: Resurgence Is a Week Early — and 15 years Late

Very few advance screenings preceded Independence Day: Resurgence’s arrival in theaters on the evening of June 23. That’s eight days ahead of the July 4th weekend that in simpler times — like 1996, when Independence Day was the year’s biggest hit — was traditionally reserved for the biggest, ka-blammiest movie of the…

Anne Fontaine’s The Innocents Finds Strength in Grayness

If there’s a war movie we haven’t seen enough of yet, it’s one from the female perspective, one that further obscures who the good guys and bad guys really are. In Anne Fontaine’s moody feature The Innocents, even the nuns are gray. During a bitterly cold winter, tucked away in…

Our Kind of Traitor Kind of Gets le Carré Right

Stanley Kubrick once sent his friend John le Carré a letter about why he couldn’t adapt one of the author’s books. “Essentially,” he wrote, “how do you tell a story it took the author 165,000 (my guess) good and necessary words to tell, with 12,000 words (about the number of…

Blake Lively and The Shallows Are Well Worth the Dive

According to IMDb, Jaume Collet-Serra’s over-before-you-know-it The Shallows runs for one hour and 27 minutes — a number that produces a reaction something like when an NBA roster lists a short-looking player at five-foot-nine and you marvel, Really? Nate Robinson is that tall? The shark thriller has only three or…

Me Tarzan. Me Sorry About Colonialism.

At last, a Hollywood reimagining with a point. David Yates’ two-fisted pulp-studies spree The Legend of Tarzan doesn’t just update Edgar Rice Burroughs’ white-boy jungle-bro for our age of heightened sensitivities and bit rates. It interrogates the very idea of Tarzan, signing the old sport up for the good fight…

Teenage Headbangers Get a Music-Biz Crash Course in Breaking a Monster

Going viral guarantees little beyond having your fifteen minutes of fame reuploaded to YouTube in ever diminishing quality, the original video (and its impressive view count) eventually lost to time and/or takedown notices. That makes Unlocking the Truth’s second act as a signed band doubly impressive: The teen group is…

In Life, Animated, Disney Helps an Autistic Mind Connect

This quietly moving doc has a hook worthy of the most shameless of Hollywood weepies, offering tragedy and a miracle and much ado about the power of movies themselves. But the film is tender and patient, as fascinated by the challenges of daily life as it is by the dramatic…

Unbreakable Kimmy Schmidt Episode 10: A Crash Course in Killer Cartoons

Each week, we’re recapping the second season of Unbreakable Kimmy Schmidt episode by episode. By the standards of modern television, Unbreakable Kimmy Schmidt doesn’t brand itself a particularly groundbreaking or boundary-pushing show. Instead, it typically falls into the “fun” and “easy to watch” categories of TV despite its heroine’s dark backstory. But it…

6 TV Shows That Never Should’ve Been Canceled

An inevitability as harsh as an Arizona winter, TV show cancellations are upon us. Like the leaves changing or avoiding the flu shot, finding out your favorite show won’t get another season is another annual tribulation. But we have hope, everybody, in the form of sweet, clickable lists such as…

Eat That Question Sifts Through Frank Zappa’s Cosmik Debris

Steve Allen didn’t know what to make of Frank Zappa. The clean-cut young musician was promising to “play the bicycle” on the set of The Steve Allen Show in 1963, spinning the wheels and tapping on the spokes. The result, with the help of a tuneless orchestra behind him and…

Swiss Army Man Has Wonder but Too Much Farty Dada

People made a stink about the walkouts during the Sundance premiere of music-video-and-advertising geniuses the Daniels’ first feature film, Swiss Army Man. It stars Daniel Radcliffe (Manny) as a farting, rotting corpse with superpowers and Paul Dano (Hank) as a sad-sack suicidal stalker trying to get home through a forest…

Todd Solondz’s Wiener-Dog Embarks on a Satiric Odyssey

A wiener dog is the perfect mascot for Todd Solondz’s films. Dachshunds are ridiculous, funny without trying, but that zero-dignity waddle belies a much fiercer purpose: to hunt and kill small prey. Solondz’s body of work, stretching from coming-of-age cringefest Welcome to the Dollhouse to his newest, Wiener-Dog, has the…