Arts & Culture

True to the spirit of the chipper, somewhat aimless live-action Disney day killers that inspired it, Rob Marshall’s Mary Poppins Returns gets better the further it wanders from its actual story.

With the quickest blink or nervy glance, Roberts communicates to us both what her character, an ordinary woman named Holly Burns, has convinced everyone around her to think she’s feeling but also all of her secret doubts, fury and anguish

What will go you see this weekend?

It sets a host of alternative Spider-folk running amok in the New York City of Brooklyn teen Miles Morales, the mixed-race Spider-Man (his father is black and his mother Latinx) invented for the comics in 2011 by Brian Michael Bendis and Sara Pichelli

The film plays as if a three-hour epic has been sliced down to size in the editing, but only the scenes establishing character and context have been cut

The actresses share only one scene in the film, but Mary Queen of Scots sets them up in counterpoint, two divergent approaches to the question of how women who wield power can actually govern the men around them

This time, we meet the sharecropping peasants of the remote village of Inviolata, living lives of seasonal toil, lives that look — except for the occasional radio or lightbulb — like they might have a century or so ago