Arizona’s 2018 Budget Allots $1.5M for the Arts — Here’s Why That’s a Big Deal
It’s being hailed as a win.
It’s being hailed as a win.
Ash Ave, All About, and more.
Meet the new artistic director.
So for starters, goats are the best.
And why he wants men’s jumpsuits to take off.
“You’re seeing the passage of time itself.”
Plus deadlines!
Heavyweight almost-champ Chuck Wepner was a character long before he inspired Sylvester Stallone to pen Rocky. But Wepner is no Rocky Balboa. Sure, he comes from a working-class town (Bayonne, New Jersey), and when he boxed, he took a good punch, bled like a hemophiliac and dreamed of taking home…
A comedy, and also a tragedy, of remarriage — without couples counseling or divorce — writer-director Azazel Jacobs’ The Lovers revitalizes its genre with a piquant premise: What happens when long-wedded spouses, each with a romantic partner outside their dormant dyad, find the spark reignited — a combustion that results…
After The Fate of the Furious premiered, talk of that franchise’s ever slicker, more over-the-top future turned to the promise (and hope) of F&F jumping the shark right into space. But what if … it was already there? And it was named, instead, Guardians of the Galaxy Vol. 2? In…
Steve Coogan is at a fancy dinner, but he’s not doing any Michael Caine impressions. Instead, he’s brooding with resentment of his workaholic congressman brother, Stan (Richard Gere), and grappling with the realization that his son might be a psychopath. It’s all supposed to be harrowing, and the British comedian…
A sleepy earnestness both ennobles and afflicts Ricardo de Montreuil’s fathers-and-sons story, Lowriders. At first the film plays as a low-key corrective, a Hollywood drama with name producers (Brian Grazer, Jason Blum) that, outside a couple of tutorial info-dumps covering cultural basics, presents East Los Angeles lives like pretty much…
King Arthur is neither Guy Ritchie’s worst film nor his best, but it might well be his most frustrating. A compendium of all the things that make the British director so occasionally exciting and so often irritating, this new, hyper-stylized take on the Arthurian legends veers between genius and idiocy…
“I am garbage,” Amy Schumer’s Emily Middleton, on a vacation in Ecuador with her ma, Linda (Goldie Hawn), that’s gone all wrong, chimes in agreement with someone who’s leveled the insult at her — and who’s also holding the two women for ransom — in Snatched. Your enjoyment of this…
A committed (and controversial) performance from Elle Fanning as a high school kid born Ramona — but identifying as Ray — is diced up and short-shrifted in this muddled comedy-drama. The title suggests the chief trouble: Director and co-writer Gaby Dellal’s attention is divided among three generations, with Ray’s mother…
Featuring some programming from Phoenix Art Museum.
It’s escapism, par excellence.
Four of ’em are free.
Here’s what to expect.
Call it a one-two punch.
It’s a one-night-only storytelling performance.