When Five Women Wearing the Same Dress played earlier this season at In Mixed Company, it was greeted with such hosannas that it now has been transferred to the relatively bigtime venue of Stage West at Herberger Theater Center. Mercifully, I was away during the original engagement and so, innocent…
June is the month Hallmark has told us we should wax sentimental over Dad. In reality, the towering figure of a father can be a forbidding presence from a child’s perspective. Men are traditionally reticent about revealing their feelings, so a child may be mystified by a father’s behavior. What…
It is a joy to report the birth of a new theatre in Phoenix, especially one that shows such promise in its pedigree. The group is called The Ensemble Theatre, founded by “actors and artists who have all returned to Arizona and our artistic roots.” This lineage can be traced…
Lynn Redgrave is starring in a play she wrote about her troubled relationship with her famous father, directed by her own husband. The play deals with the emotional remoteness and larger-than-life persona of the celebrated British actor Sir Michael Redgrave. When Redgrave decides to spill her guts in public, it’s…
Neil Simon is the most popular playwright in American theatre history. He has written some 27 plays for Broadway, accumulating close to 17,000 performances. Valley audiences now have a chance to see two of his better plays in revival at two local theatres, giving us the opportunity to contrast early…
As a dislocated audience, Phoenix’s theatre fans have to employ a bit of guesswork when it comes to buying Broadway theatre tickets. Stuck somewhere between believing the hype and becoming abject cynics, Valley theatregoers select their shows gingerly. Hype has it that 1996 is the best season on Broadway in…
Sam Shepard’s Fool for Love is possibly the dramatist’s most accessible play–simple, potent, lyrically charged and highly actable–yet it suffers from the limitation of a fairly static situation, and characters to match. Eddie, a cowboy, and May, the young woman in and out of whose life he wanders, squabble and…
The program of Italian Funerals & Other Festive Occasions tells us that the author, John Miranda, is an actor. The discerning audience member could have guessed that because plays written by actors usually share certain characteristics. When actors take up the pen, the play tends to be sentimental. You can…
Can an actor’s performance be too good for a play? Apparently it can, if one performance so overwhelms the script that the depth and subtlety of the drama are eclipsed by the charisma of its star. Such seemed to be the case when I saw the touring production of Herb…
To paraphrase Oscar Wilde: “When the gods wish to punish us, they grant our prayers.” For the past two seasons, I have been thumping a drum, decrying the decreased relevance of theatre to contemporary culture. Now, In Mixed Company has taken me at my word and is presenting a play…
If Peter Quince were alive today and living in Arizona, he might well be the artistic director of Southwest Shakespeare Company. Quince is, of course, that amateur entrepreneur of ancient Athens who organized a group of tradesmen to perform “the most lamentable comedy and most cruel death of Pyramus and…
Delicate rectangles of light dapple a translucent scrim that masks the proscenium at Herberger Theater’s Center Stage. The tinkle of tiny cymbals begins to twang; our eyes penetrate the veil to behold a jewel-encrusted creature enthroned. With tawny skin spangled with golden dust, an ample human body is crowned with…
The Comedy of Errors and The Boys From Syracuse are twins, but they’re fraternal–not identical. The former is Shakespeare’s shortest play–and possibly his first. It is a tale of twins, separated at birth, who are driven to distraction when their respective acquaintances mistake them for each other. The latter is…
Lorraine Hansberry’s powerful drama A Raisin in the Sun is to the black experience what Arthur Miller’s Death of a Salesman is to that of middle-class Jews. It serves as the bench mark of excellence for all subsequent theatrical productions related to black life. For sheer dramatic energy and satisfying…
In a brief prologue, a pale young woman fixes her eyes on the black void that is the past: “I’m seeing him. He’s huge. The biggest man in the world.” Fade to black. The young woman awakens to find herself on a beach. Her name is Maria, and she vaguely…
The most erotic image I have seen on the stages of Phoenix can be ogled at Playwright’s Workshop Theatre on Seventh Street. The time is the present; the place is a federal prison. The setting is a spare, clean prison cell illuminated by a single industrial lamp that hangs over…
Inspector, I confess! I love stage mysteries and thrillers. From the time, as a youngster, I saw the film classic Witness for the Prosecution–based on Agatha Christie’s play–I’ve been guilty of harboring a secret thrill for the mechanical intricacies of a spine-tingling whodunit. Phoenix Theatre has mounted one of the…
Safely ensconced in its comfortable new home in a strip mall at 99th Avenue and Peoria Avenue, Theater Works is presenting Robert Bolt’s turgid, talky historical pageant A Man for All Seasons. In its new location, the theatre has painstakingly reproduced the exact layout of the bucolic barn it previously…
When the two cast members in Actors Theatre of Phoenix’s production of David Mamet’s Oleanna start talking to each other in act one, it sounds forced. Away they chatter in the herky-jerky verbal rhythms for which Mamet is so celebrated, finishing each other’s sentences and not finishing their own, taking…
It’s doubtful that any country ever produced finer socialists than those of Great Britain–of the literary sort, at least. Perhaps because the class system is so plainly laid out on that little island, writers like Shaw and Orwell could oppose, even hate, the ruling class without failing to recognize that…
When Martin Sherman’s play Bent premiered in England in 1977, the plight of homosexuals in the Holocaust was a little-discussed episode of the century’s history. In the two decades since, the pink triangle which gays were made to wear in the concentration camps–the equivalent of the yellow star worn by…
“Nothing human disgusts me, unless it’s unkind or violent.” So remarks Hannah Jelkes, the spinster-paragon of The Night of the Iguana. She could be speaking for her creator, Tennessee Williams. That’s very likely just what Williams had in mind–reading or watching him, one always has the feeling that Williams saw…
