Melissa Cohee

What hath Nile Rodgers wrought? Or was it Giorgio Moroder? Whoever was the wizard who figured out how to make records without musicians has a lot to answer for. True, sampled beats and programmed rhythms come a lot cheaper than those who can actually play instruments, but pop and dance…

Jeff Dahl

Although Dahl’s the closest thing the Valley has to a punk elder statesman, the bulk of Jeff Dahl’s extensive “three chords and a bad attitude” discography has always had more of a kinship with the glam precursors of punk (Mott the Hoople, the New York Dolls, the Stooges) than any…

Ty Lusk

Once upon a time, singers and songwriters told stories. Back before Bob Dylan plugged in, “folk” music was just that — music about folks, some stemming from oral traditions, others steeped in a performer’s personal stories. That was before the “confessional” folk of people like Ani DiFranco took hold and…

Charles Mingus

Charlie Mingus — bass player, composer, bandleader — was one of America’s greatest jazz musicians. His ability to bring out the best in his sidemen is legendary, as is the passion and fury he put into every note he played. He cut Tijuana Moods — the soundtrack for a wild,…

Jeph Jerman

“Avant-garde” isn’t the most appropriate label to place on eco new music percussionist Jeph Jerman and his approach to producing sound. Sure, his uniquely captured artistry — which doesn’t rely upon popular time signatures, written notations, and detectable meter — can be placed in the, ahem, “acquired taste” category. But…

Walter Alias

A band that calls its album Examples of the Cataclysmic is obviously thinking big. Walter Alias, a Kansas City transplant from Branson, Missouri, describes its sweeping sound as “cinematic,” and it’s not hard to imagine the quartet’s swelling choruses set against some critical moment in a movie about the apocalypse,…

The Clientele

Last year, in these very pages, I noted that the fabulously suave, poetic, and pillowy English band The Clientele “pulls off the rare, swell trick of reminding you of literally dozens of artists — the late Arthur Lee, Dream Syndicate, Mercury Rev, Felt, Lightning Seeds, Galaxie 500, Nick Drake, The…

Honey Thursdays

Here’s a news flash: Fridays are pretty old and busted, while Thursdays are the new hotness. In fact, we’ve been rapidly burning up our sick days lately by starting off the weekend one day early (shhh . . . don’t tell our bosses), and a fave destination has definitely been…

Obadiah Parker

Last month’s YouTube phenomenon — Alanis Morrisette’s parody of “My Humps” — revealed what we all suspected, that Fergie’s ode to her lady lumps just doesn’t stand up to lyrical scrutiny. The marvelous thing about last year’s YouTube phenomenon, Obadiah Parker’s acoustic revisiting of Outkast’s “Hey Ya” superimposed over the…

Seven Nights of DJs and Dancing

Thursday 17 Axis/Radius: Ladies’ Night (hip-hop, rock, dance) AZ 88: Mr. P-Body (synth pop, electro) Big Fish Pub: DJ Seduce (jazz, funk) Bunkhouse: DJ Doom (dance) Cherry Lounge: DJs Tranzl8tr, & Earth (rock, ’80s, old school, hip-hop) Chilly Bombers: DJ Statik (rock, hip-hop, dance, Top 40) Club Central: DJ Luis…

The Real Bar closes without notice

I never went to the Real Bar a whole lot because, well, the service sucked and the setup for their all ages shows left the drinkers (i.e. the ones spending real money) at a sight line disadvantage when the bands were playing. It’s nice to still have venues around that…

Bach to Basics

About a year ago, a former girlfriend asked me why this town seemed so culture-less. She’s from Los Angeles and is the sort of girl who likes to dress up and go to the ballet. “In L.A., people our age get dressed up and go to the symphony; you’ll see…

Getting Harry

The music opens with flowery acoustic guitars double-tracked for a 12-string feel and shimmying with opulent drama, reminiscent of records made in the ’60s by acid-hungry British rockers prowling green country lanes in faux-druidic rituals. After a drawn-out introduction, drum hits recorded backward make way for a chorus of singers…

Culture Shock

“I haven’t seen a band with that much intensity in a long time.” That’s what Korn frontman Jonathan Davis had to say last summer about his Family Values tourmates Dir en grey, a versatile quasi-metal Japanese band that has met with baffling success in Europe and, more recently, the United…

Emperors of Japan

Some bands wear their influences on their sleeves. Phoenix trio Emperors of Japan are no exception, but the quirky group has altered its attire. The Emperors wear many clothes. For example, “Reptile,” the opening track to the band’s first album, opens like an old Cure song, with spacy, dreamy keyboards…

Jackie McLean

The late alto saxophonist Jackie McLean was infamous for a rich and powerful tone, a heroin addiction, and being the dude who nearly stabbed iconoclast Charles Mingus after the big bully bassist punched him. But one thing overlooked during McLean’s career — due to the relatively restrained modal jazz compositional…

All Smiles

Jim Fairchild explores modest arrangements on his debut as All Smiles, finding mostly memorable hooks in airy, acoustic guitar-driven folk pop. Ten Readings of a Warning is Fairchild’s solo outing; his former gig as a guitarist for West Coast psych-pop troupe Grandaddy ended last year. Although he’s a strong singer,…

Priestbird

If you believe in reincarnation as torture, then imagine all the A&R people who, in past lives, signed nothing but copycat bands and reality show winners, returning to this world only to be demoted to the publicity department, being handed a headscratcher of an album like Priestbird’s debut In Your…

The Silver Daggers

The Los Angeles coeds in Silver Daggers bring the apocalyptic no-wave party ruckus, and then some: They’re a viciously exuberant counterpoint to like-minded labelmates Coughs. On the quintet’s latest adrenalized outing — New High and Ord, on Load — frontwoman Jenna Thornhill unleashes incoherent, bloodied-throat cries from the crazed center…

RJD2

RJD2’s The Third Hand is the kind of alternative hip-hop record that raises the question: When does a particular artist stop being alternative anything and start to step outside the confines of a single genre? What’s even more impressive is that RJD2 did it all himself — the producing, the…