While Oh Doctor doesn’t really fit comfortably into the “emo” category, its music does bear some resemblance to bands in that genre: the impassioned, “I’m-dying-from-intelligent-introspection” wails of the Nixon brothers, Acey and Kodi (who also play guitar and bass, respectively), and a taste for long, declarative-statement song titles (“Play the…
While they rose to prominence in America via a bewildering major-label deal and two high-profile stints on Lollapalooza, Japanese noise troupe Boredoms had been cult favorites for years leading up to their big break, with a slew of impish, onanistic and abrasive releases to their credit before Reprise dropped 1993’s…
The further Anticon strays from its original granola posi-artiste rap roots, the more intriguing this Oakland, California label becomes. England’s Bracken represents the latest link in the imprint’s evolutionary chain, though slotting We Know About the Need is something of a challenge. While it isn’t really a shoegaze record in…
Established in 1996 by producer Chris “Peanut Butter Wolf” Manak, Stones Throw serves as a benchmark for innovative hip-hop music. This compilation, originally released last year as an in-store exclusive through Guitar Center, arrives at the height of the L.A.-based imprint’s popularity. It collects underground hits (Lootpack’s “Whenimondamic” and Aloe…
The first words out of Lily Allen’s mouth here are on the song “Smile”: “When you first left me, I was wanting more/But you were fucking that girl next door.” So yeah, she’s got the cheeky British attitude that did so well for Lady Sovereign. But despite its lilting reggae…
Remember the first time you heard the Pixies classic “Where Is My Mind?”? It condensed the euphoria of cutting anchor and sailing into the abyss into a four-minute pop song. Now Jay Reatard (that Memphis garage-punker from the Lost Sounds, the Reatards, Angry Angles, and probably a dozen other bands…
Free time has got to be the eternal enemy of local DJ impresario Hyder. When the turntable trickster isn’t spinning at The Blunt Club on Thursdays at Hollywood Alley, he’s working the wax at Shimmy Mondays at Trax, hooking up with the scenesters of the Abstract Workshop, or teaching beat…
1. Mos Def, True Magic (Geffen Records) 2. Nas, Hip-Hop Is Dead (Def Jam) 3. John Mayer, The Village Sessions (SonyBMG) 4. The Beatles, Love (Capitol) 5. Matisyahu, No Place To Be (Sony) 6. Joanna Newsom, Ys (Drag City/Caroline) 7. Ben Folds, Supersunnyspeedgraphic (Sony) 8. Kooks, Inside In/Inside Out (EMI…
The Valley’s post-adolescent crusty punk rockers have been getting a lot of camera time lately, so Club Candids hit up one of Scottsdale’s most popular clubs, Myst, on Friday, January 19, and the only crust was found in the hair gel of the employed and freshly bathed Scottsdale socialites. DJ…
P.O.S. I’ve said it many times before, but I’m compelled to continue preaching that the Blunt Club is the best club night ever in town for real underground hip-hop. DumperFoo and his homeys keep proving it, week after week. Rather than dropping some names every week I figured I’d give…
Neato! Spent the last week or so immersing myself in the 8-piece live hip-hop/jazz project known as Antedote the Neato Project. If you’re not familiar, you ought to be (you can read more about it in the 2/1 issue of New Times). These eight musicians kick out soulful, intricate hip-hop…
Chase and his cronies at Bad Stain Records have posted up this year’s nominees for the unfortunately named Arizona Ska-Punk Awards (although I know the contraction’s snuck its way into common vernacular, I just think that “ska-punk” is a stupid fucking term). Nonetheless, it is an interesting democratic you-pick-the-winner contest,…
Admittedly it’s a slow blog day when I have to resort to putting absolutely horrible spectacles up on here, but this is so bad, it’s… just fucking bad. No, the band Lordi isn’t local (Daggrr from Army of Robots hit me up with this), they’re Finnish, and apparently won the…
When we heard about the grand opening of Lady Luck Tattoo Gallery in Tempe, we packed our camera and hit the party for some freaky photo-ops. After all, tattoos and Tempe go together like drunk girls and frat parties; both are necessities for the college experience and may lead to…
It’s difficult to describe — even after spending a third of my life employed doing exactly that — the music on the Lymbyc Systym’s new LP, Love Your Abuser, to be released on the 23rd of this month. The duo, local brothers Jared and Michael Bell (Michael’s currently living in…
The digital age has become a major curse to the major labels: Album sales fell 4 percent in 2005, 4.6 percent in 2006. But for rock ‘n’ rolling indie entrepreneurs with access to editing gear, digital cameras and life-rights, a brand-new art form has descended upon the industry’s carcass —…
What’s cool about Gorillaz is you don’t need Jamie Hewlett’s animation to appreciate the genius of the music. But what’s even cooler is the way that animation steals the show on any number of the highlights in the awe-inspiring Gorillaz compilation DVD Phase Two: Slowboat to Hades (Virgin Records U.S.)…
The members of Boys Like Girls live at home in the suburbs with their parents and write vague, emotionally charged songs sugarcoated with precision pop hooks. Add Martin Johnson’s wavering, pained voice, a requisite ambiguous name, and producer Matt Squire (Panic! At the Disco), and the band fits emo to,…
In addition to boasting the slickest use of samples and instrumentation this side of a Moby/Diddy collaboration, Tomorrow’s Last Try also contains the most hardcore local hip-hop song ever recorded, in the form of track nine, “Zombie Jesus.” The song opens with some psychotic Latino threatening to fuck another guy…
The members of Liverpool’s Clinic are up to their surgical masks in Nuggets-worthy psychedelic splendor here, from the bass-driven pulse of an opening track whose instrumental section could practically pass for The Yardbirds paying tribute to the Far East, to the dark narcotic haze that hovers over “Gideon.” On “Animal/Human,”…
If you like The Glimmers’ penchant for spinning the best in disco punk, but just haven’t warmed to the Belgian DJ duo’s sense of rhythm, check out this album. The Glimmers’ new contribution to the indomitable Fabric series is an improvement over their 2005 DJ-Kicks mix CD. It starts out,…
Ever since Buena Vista Social Club, Afro-Cuban music has been on the radar of mainstream trend spotters both old and young. Yet the majority of new releases and rereleases since BVSC have concentrated on the Caribbean side of the equation (with the possible exception of Senegal’s Orchestre Baobab), to the…
