The Mighty Underdogs

The term “hip hop supergroup” gets thrown around a lot, but Bay Area outfit The Mighty Underdogs can make a pretty good case. Composed of MCs Gift of Gab (from Blackalicious) and Lateef the Truthspeaker (of Latyrx), and backed by producer Headnodic (of Crown City Rockers), the group just released…

Kottonmouth Kings

Hip-hop punk rockers Kottonmouth Kings, fresh from their performance at this year’s Edgefest, return to the Valley with a show that is sure to be a frightful event. The band’s new The Green Album will no doubt fill out the night’s set list of bizarre theatrics and stoner antics, a…

Crystal Antlers

Long Beach’s Crystal Antlers have mastered the art of thrash, that combustible buildup of noise and melody that so many others have tried to harness, only to fail in a miserable pool of fuzzy annoyance. Blending messy, raspy vocals with pummeling drums, writhing riffs and strident organs, the band produces…

Jackson Browne

After two solo live albums, it’s easy to forget Jackson Browne’s versatility as a musician, which might be boiled down to one key characteristic: He’s a great listener. On his first new album in six years, Time the Conqueror, and on its tour, Browne features background vocalists Chavonne Morris and…

Mickey Avalon

Mickey Avalon’s been through some shit, man. His mom had him selling weed for her when he was just a teenager. She fired him a little while later, though, when she discovered he was shooting up smack at the age of 16. And things got only stickier and trickier from…

The Faint

The Faint’s dystopian paeans to dysfunctional, metaphorically “mechanized” relations unfold beneath gloomy analog burble and synthetic beats. It’s not exactly ironic, nor is it particularly poignant at this point, though it may not matter after a dozen years building a passionate following. While the band’s fifth studio LP, Fasciinatiion, returns…

Club Candids: W Scottsdale Hotel

By Lilia Menconi Check the slideshow, will ya? They say it’s a good thing to step out of your comfort zone every once in a while. So we decided to push ourselves this past Friday, skip dinner to keep our bellies flat and amp up the glam factor with a…

Flier of the Week: Stiletto Formal, Black Carl, William Fucking Reed

By Martin Cizmar As I mentioned earlier this week, The Stiletto Formal is having two CD Release parties for ¡Fiesta, Fiesta, Fiesta, Fiesta! this week. Saturday’s show at The Rogue also features Black Carl and Montresors, as well as DJ William Fucking Reed. It’s all promoted Psyko Steve, so sounds…

The Acorn, & The Shaky Hands

Harmonious Ottawa indie rockers The Acorn bring their folk-minded sound to the Valley this Saturday. Along with them will be Portland hipsters The Shaky Hands, who have impressed critics and wooed fans with their eponymous 2007 debut and this year’s brilliant follow-up, Lunglight. The Shaky Hands, with their irresistible rhythm…

Cowboy Mouth

You know that old saying about how bumblebees were never designed to fly but nobody told the bees that? Well, that’s kind of how it is for the members of Cowboy Mouth — four radio rockers who probably should’ve called it quits in the late ’90s. But instead of taking…

Stiletto Formal

Ranging in style from hip-hop to punk to, arguably, metal, The Stiletto Formal is creating quite the buzz. Sure, it could be because it’s one of the few signed local bands, or it could be because of its forthcoming CD, ¡Fiesta, Fiesta, Fiesta, Fiesta!, or it could be because its…

Mount Eerie

Phil Elverum began his shambling psych-pop effort The Microphones during the late ’90s, mixing fuzzy drone, pastoral songwriter folk, and lo-fi experimentation in music that often is as shrouded in sounds as his Olympia, Washington home is in clouds. He scotched the moniker after 2003’s moribund concept album Mount Eerie,…

Fat’s Breaks Final Night

Like the old saying goes, all good things must come to an end. So even though it’ll break their hearts to see it go, the DJs of the Salacious Beat Slingers are ending the long-running Fat’s Breaks night. Debuting last spring, the Tuesday-night affair (originally called “A Case of the…

Club Candids: Hellen at Joes Grotto

By Lilia Menconi Get something a little more metal in the slideshow. So, after reading the New Times Best of Phoenix Award for the death metal band, Hellen, we thought one of their live shows would drudge up a club candids-worthy crowd for sure. And, just as we suspected, Joe’s…

You Asked For It: Graceful Degradation

Graceful Degradation
There You Go
(Self-released)

By Martin Cizmar

As I wrote last week, every band selected for You Asked For It, no matter how bad, gets at least one spin when they go in the queue. Graceful Degradation got a lot more than that as I listened to their three-song EP, There You Go, at least ten times today. Honestly, I still can’t think of much to say about it.

Flier of the Week: Sadisco*

By Martin Cizmar

Halloween creeps ever closer, and with it the concert posters get ever darker. Like this one for Sadisco* collective’s monthly party this Saturday.

Brother Ali

“Don’t you know you’re in the presence of greatness, bwoi?” Brother Ali snarls from the pulpit on “Original King,” shortly before launching into a brief refresher course/sermon for the uninitiated over a beat that sounds like Earth Wind and Fire on crack: “I bring it like it never been brung/Swing…

Cousins of the Wize

If there’s one way that Cousins of the Wize’s second album, The Art of Living, suffers, it’s in poor track sequencing. There’s a lot to like here, from the radio-ready “Two Bottles of Beer” to the instrumental “Spaghetti Western,” which could easily be subbed into the Kill Bill soundtrack without…

Amanda Palmer

In a match made in piano-rock heaven, Dresden Dolls vamp Amanda Palmer teamed with fellow ivory-tickler Ben Folds to produce this strings-and-spinet stunner. Originally, the singer had planned a low-budget project, showcasing some songs she felt sounded better without Dolls collaborator Brian Viglione’s distinctive drumming. Palmer’s vocal acrobatics, dynamic pianism,…

Facing New York

Facing New York is a band that easily defies pigeonholing. Their brand of heavy-handed melodies infused with a jazz-like swagger is remarkable — especially considering what it means to be an “indie rock” band these days. Convention is hardly their main concern, as evidenced on a song like “Comin’ Up,”…

The Streets

Since rising to international fame in 2002 with the rowdy, inventive Original Pirate Material, British MC Mike Skinner — a.k.a. The Streets — has released a series of increasingly sincere albums. Starting with his 2004 narrative-heavy masterpiece A Grand Don’t Come for Free, he has turned his attention to simple,…