A band had better have a double keg of chutzpah on hand when its idol and main influence is in the room. Luckily for the Yuppie Pricks, Jello Biafra has a sense of humor — one that the band has appropriated, along with the grubby urgency of the Dead Kennedys’…
If you were driving cross-country in the ’50s and ’60s, you prayed for sundown, because after dark, you picked up the signals of outlaw Mexican radio giants XERB, XEG and XERF. Long before the FM revolution, the X stations played an eclectic mix of honky-tonk, blues, Texas swing, norteño, and…
On A Healthy Distrust, rapper Sage Francis’ solo debut for Epitaph, a predominantly punk label, the New England native teams up with producer Dangermouse (of Grey Album fame) for “Gunz Yo,” the first song to address hip-hop’s firearms fixation in academic terms. On it, Francis lambastes “a homophobic rapper/Unaware of…
Bullet Train to Moscow is back with a spankin’ new self-titled disc, and fans will surely be pleased to have it in their hands. Bullet Train blasts through 14 songs that are everything you’d expect from this local five-piece: fast, fun, and a little funny. Billing itself as an “every…
Eroticide learned not to wave dildos in front of children the hard way. After one of the band’s sexually explicit shows, which include all manner of lewd, homemade props, sex toys, and simulated sexual slashings, the City of Mesa slapped the hardcore band with a number of obscenity charges. Then…
The back of Koko Taylor’s 1978 record The Earthshaker shows a black-and-white photo of the blues belter and her band in a smoke-filled bar, seated around a table that’s packed with bottles of booze, loose $10 bills, and Pall Mall cigarettes. Taylor is looking at the camera, disheveled hair falling…
Los Lobos exploded out of the barrios of Los Angeles in 1983 with and a time to dance, a seven-song mini-album that meshed Mexican folk music, blues, rock and R&B into a unique sound, long before the terms “Americana” and “roots rock” were standard music lingo. In the early ’90s,…
1. Iron & Wine, Woman King (Sub Pop) 2. Low, The Great Destroyer (Sub Pop) 3. Matt Sweeney and Bonnie Prince Billy, Superwolf (Drag City/Caroline) 4. Death Cab for Cutie, John Byrd EP (Barsuk) 5. M. Ward, Transistor Radio (Merge) 6. Mogwai, Government Commissions: BBC Sessions 1996-2003 (Matador) 7. The…
Thursday 3 Acme Roadhouse: College Night with DJ J. Alan (Top 40) Ain’t Nobody’s Bizness: DJ Suzy (hip-hop, dance) Anderson’s Fifth Estate: Area 51 with AKA (gothic, industrial) Axis/Radius: DJ MCB (hip-hop, dance) Big Fish Pub: Reggae Thursdays with Selector J-Cut & DJ Blackstar (reggae, dance hall) Elixir: DJ Lego…
The Wu-Tang Clan shouldn’t still exist. In an industry where today’s rap superstar becomes tomorrow’s MC Hammer, nine Staten Island MCs pulled off the impossible. They outlasted the three great pitfalls of modern hip-hop: ego battles, gang violence and, most important, irrelevance. Rappers worldwide would be wise to learn from…
My friend Billy used to always wear a button that said “Who Cares” on the collar of his jacket, until “some bitch” stole it off of him at a dive bar near our neighborhood. Billy was pissed, not because he’d lost some expression of apathy he was aiming at the…
In recent years, James Murphy has undeniably helped direct the hipster strata of New York music. DFA, the label that he produces with partner Tim Goldsworthy, is the Neptunes of indieland, lending guidance and technical savvy to a who’s who of exploratory bands, from the Rapture to Black Dice to…
In the language of analog recording, “wow” and “flutter” were terms used to describe the distortion common to the recording process. The title of The Kills’ second album is obviously ironic, because the duo’s powerful, stripped-down sound is built on a foundation of fuzz, feedback and distortion. Hotel, a highly…
Tom Russell is best known as a hip cowboy/country singer-songwriter, and he’s always interesting in that capacity. But this new disc is something else entirely — it’s Russell’s odd, brilliant introduction and homage to the deviant geniuses who made life interesting in the last two-thirds of the 20th century. There’s…
The Swedish cats in Mando Diao have spent a long time with their British Invasion albums. On Bring ‘Em In, their debut salvo, their Beatles-meets-Yardbirds take on Brit pop combined an uncanny gift for melody with a fuzzed-out twin guitar attack. This time, the influences are more diverse, but the…
The rumors about ska’s demise have been greatly exaggerated. Rude Boys have kept reinventing it again and again, and ska’s last incarnation, “the third wave,” saw its horns and tempo mixed with punk’s sound and drive, as exemplified by bands like the Voodoo Glow Skulls and MU330. Purists often deride…
Long before they entrenched themselves in a spat rivaling the East Coast/West Coast rivalry of Biggie and Tupac, former Smiths front man Morrissey and fellow sad sot Robert Smith of The Cure somehow produced an offspring, a sullen young’un named Jamie Stewart. Details are sketchy as to how said progeny…
Hot on the heels of fellow house-music visionary Bad Boy Bill’s visit to the ‘Nix, former tag-team collaborator and equally influential house producer Richard “Humpty” Vission is hitting town to get y’all’s asses shaking on the floor at Next on Wednesday, March 9. Humpty’s been tooling with the tables since…
The Hacienda Brothers are scheduled to perform on
Tuesday, March 1, at the Rhythm Room.
Burn to Shine is the kind of medium-rare concept you hatch at 4 a.m. with your best friend — except that Brendan Canty actually has resources and connections. Thus, the former bassist for the seemingly defunct Fugazi has created a video artifact in which eight bands play one song each…
Where do underage pirates go when they’re thirsty? To the soda barrr! Or at least that is where Jake Slider and Jason “Ace” McClellan hope underage music lovers will go if they’re thirsting for local music. The co-owners of Neckbeard’s Soda Bar have laid anchor in Tempe and hope their…
1. Green Day, American Idiot (Warner Bros.) 2. Bright Eyes, I’m Wide Awake, It’s Morning (Saddle Creek) 3. Postal Service, Give Up (Sub Pop) 4. Muse, Absolution (Warner Bros.) 5. Bright Eyes, Digital Ash in a Digital Urn (Saddle Creek) 6. The Game, The Documentary (Aftermath) 7. Goldfinger, Disconnection Notice…
