Signed, Sealed, Delivered

Between his weekly radio show on KJZZ and his work as entertainment director of the Rhythm Room, Bob Corritore has long held the title of the Valley’s greatest advocate for traditional blues and roots music. But Corritore is such an earnest and articulate fan that it’s easy to forget that…

Axis Powers

Shudder to think that here in Phoenix, more than 12,000 people show up to see rock relics like Poison and Ratt while AOR radio stations look forward to the upcoming performances of Journey and Foreigner. But wait, there’s more. Missing Persons, The Outfield, Peter Frampton, Billy Squier, and Sammy Hagar…

Gotta Serve Somebody

If you’re a Dylan freak, the center of the universe is, of all places, Grand Junction, Colorado. Mick and Laurie McCuistion reside there, operating an enormous business that encompasses damn near everything relating to America’s unofficial poet laureate. In 1993, the couple began publishing the ultimate Dylan fanzine, the glossy…

Recordings

Pavement Terror Twilight (Matador Records) It’s one of the little ironies of indie-pop that Pavement has hit its creative stride just as much of its initial, underground crowd has grown tired of the band. The postpunk rule of career management has long been that you either reach a mass audience…

On the Lightfoot

No one would have blamed Ron Sexsmith if he’d decided to skip the Valley on his current tour. His last visit here, in July of 1997, qualified as a perfect disaster. First off, Sexsmith and his two-piece supporting band played a heartfelt show at Nita’s Hideaway to about 15 people…

Ford Tough

When septuagenarian bluesman T-Model Ford sings “I’m Insane,” he’s not playing around. Even in a musical genre defined by tough times and hard-luck stories, Ford’s life stands out for its sense of madness frequently on the verge of spinning out of control. Born James Lewis Carter Ford, T-Model knew little…

Dolls House

Sadly, the Sunset-strip scene of the ’80s took the New York Dolls’ name and dragged it through a thick, shit-infested mud bath, the kind through which few other pop trailblazers should ever have to suffer. I mean, the Velvets were never misinterpreted in such a way that had some thumb-head…

Recordings

Cibo Matto Stereo Type A (Warner Bros.) When Cibo Matto made it to MTV in 1996 with a goofy, giddy novelty song called “Know Your Chicken,” the natural reaction among the previously uninitiated was to write the duo off as a one-joke gimmick. The idea of two thickly accented Japanese…

Jonesing for Joan

The 16-year-old kid with the obscene acne problem and boring piercings said he had never heard of Joan Jett. He stood behind the store’s counter wearing a cow’s expression and a Korn tee shirt. He used his mouth to draw air in and out of his body. Around his neck…

Family Jules

Julian Coryell never really considered being anything other than a musician. His thinking is easy enough to explain: His father, Larry Coryell, has long been one of the world’s most celebrated jazz guitarists, and Julian grew up watching musical virtuosos come in and out of the family’s southern Connecticut home…

Easy Being Green

It seems that every time Fred Green plays in California, the funk trio winds up relying on the kindness of rock heavyweights. At the group’s most recent Redondo Beach gig, a guitarist friend brought ex-Minutemen bassist Mike Watt, and Watt proceeded to get high in the band’s van before the…

Recordings

Various artists Libations Unlimited: Phoenix 1997-1999 (Sentry Press) While Phoenix is nationally known for many things–excruciating heat and a sadistic sheriff among them–a stellar music scene doesn’t make the cut. Save the Meat Puppets and Gin Blossoms, virtually no Valley bands have cracked Top 40 radio or become household words–and…

Taking Liberties

For a guy once known for his unwillingness to do interviews, Elvis Costello has turned out to be one of pop music’s most insightful commentators. Over the years, he’s actually emerged as something of a “player-coach,” to borrow a term Rolling Stone once applied to Pete Townshend (in fact, Costello…

Blythe Spirits

It hasn’t been the easiest of weeks for the band Chula. For their first real road excursion, the emo-punk quartet had lined up a couple of Southern California gigs along with two other bands, to be capped by a return gig in Tempe. Three hours out of Phoenix, their van…

Recordings

The Negro Problem Joys and Concerns (Aerial Flipout) If there’s a weakness surrounding L.A.’s recent pop renaissance, it’s that too many of the bands settle for emulating their heroes, right down to the very last “c’mon, c’mon” and “sha-la-la.” As transcendent as much of Badfinger and the Raspberries still sound…

Touch of Evil

It was probably pure coincidence, but Gwar fans entering Club Rio’s “21 and over” patio on Tuesday, May 25, received a stamp on their wrist that read: “Circus.” The word perfectly describes the band’s bong-inspired combination of trash metal riffings and goofy gore–both performed with stage props far more ridiculous…

Mojo Working

Henry “Mojo” Thompson sits in his wheelchair, hunched over his kitchen counter, jotting down notes in a spiral notebook. His one-room South Phoenix apartment has the near-empty look of someone who’s either moving in or moving out. The only furnishings are a TV and VCR that both rest in one…

Love Connection

Nick Broomfield’s controversial 1998 documentary Kurt and Courtney works very hard to paint a negative portrait of Courtney Love. So hard, in fact, that by the end of it you almost find yourself feeling sorry for her. Everyone from Love’s father to her ex-boyfriend to her former nanny fires verbal…

The New Old Sound

Branford Marsalis calls exactly at the appointed time, 3 p.m., despite a schedule that should not allow for such promptness. He is on a cellular phone, sitting on the front stoop of his 13-year-old son Reese’s piano school on White Plains Post Road in Eastchester, New York. Branford does not…

Recordings

Various artists Austin Powers: The Spy Who Shagged Me (Maverick Records) The world inhabited by Austin Powers is more an evocation of the way the ’60s were documented than of the time period itself. Its absurd devotion to swinging at all costs echoes films like Casino Royale and the Matt…

Auto Exhaustion

It’s not often that I feel like I’m in the middle of an episode of V.I.P. Actually, part of the inept glory of Pamela Anderson Lee’s action series is that it never feels like anybody’s real life, with the possible exception of those well-tanned, scantily clad super sleuths out there…

Going Underground

On the eve of Cinco de Mayo, while many bars spent a slow evening stocking a shitload of Coronas, limes and tequila, Boston’s was quite busy serving an eclectic crowd of fans who came to see Atlanta space rockers Man or Astroman?. This band has been immortalized within indie rock…