Give Dan Harris, the writer/director of Imaginary Heroes, plenty of credit for boldness and ambition. Not many kids fresh out of Columbia University would have the wherewithal to tackle a complex family-crisis drama with four or five different kinds of trouble running through it and half a dozen crucial minor…
“Better than I thought it’d be,” was the refrain repeated by those exiting the preview screening of Guess Who, which doesn’t mean much — freebie audiences expect nothing and usually receive it. But in this case, it neatly summed up the experience of catching Ashton Kutcher in a part once…
Damian Cunningham has the face of an angel — calm and cool blue eyes perched above freckled cheeks and a benevolent grin — which is only appropriate for a 7-year-old boy who speaks with the late, great saints, among them Peter, Joseph, Claire, and, of course, Francis of Assisi. Damian…
Perhaps in honor of the fourth anniversary of Cher’s farewell tour, MGM recently released a DVD edition of Chastity, the 1969 stink bomb featuring the singer’s first dramatic role. Shot entirely in Phoenix, this long-lost indie (for which Cher’s daughter is named) was written, produced, scored, and some claim directed…
A cynic might describe movies as the most depraved and fantastic system of exploitation ever devised. After all, they trade on the greed and hubris of financiers, the beauty and allure of stars, and the trust (or, if you prefer, gullibility) of the audience. No one involved in the process…
Rated R.
Katsuhiro Ôtomo’s Steamboy will be released nationwide in both subtitled and dubbed versions. At the press screening, both were shown simultaneously in neighboring theaters, leaving the reviewer to choose which one to see. Your critic went with the subtitled cut, not purely for reasons of cinematic snobbery, but mostly because…
The Upside of Anger belongs to Joan Allen, who plays Terry Wolfmeyer, a wife abandoned by her husband and left to pick up the pieces and collect them in a giant bottle of vodka. Terry’s is the cold, composed visage of a woman struggling to keep it together; through her…
The Ring, Gore Verbinski’s 2002 remake of Hideo Nakata’s Ringu, offered sufficient closure that it didn’t exactly demand a sequel. The horror lay in wondering why a mysterious videotape kills viewers seven days after they watch it; to a lesser extent, there was the mystery of the creepy girl, face…
Toward the end of Born Into Brothels, a superb and piercing documentary by directors Zana Briski and Ross Kauffman, a 12-year-old child examines a photograph. It’s beautiful, he says, because it shows us how its subjects live. Yes, they’re very poor, and the shot is hard to look at, because…
“From the creators of Ice Age,” boasts the poster for Robots, which is no ringing endorsement. That 2002 animated feature, a sort of Three Mammals and a Baby in a prehistoric setting, looked and felt every bit as frigid as its snowbound scenery; it was impossible to warm to a…
If you’re looking for an escapist shoot-’em-up action adventure, and figure a Bruce Willis flick is a reliable option, think twice. Hostage certainly delivers violence and heroics, but not in a way everyone will enjoy. Children and dogs die brutally, and the villains are so thoroughly hateful that even the…
When was the last time you lost yourself in a Shakespeare film? It’s a testament to the success of William Shakespeare’s The Merchant of Venice, the sharp and brooding new version directed by Michael Radford (Il Postino), that we leave the theater without concern for the production. Instead, the response…
The novel Be Cool, written by Elmore Leonard in 1999 while the ink was still wet on the publisher’s advance, existed only because the beloved writer of seedy thrillers and Westerns knew it was guaranteed gold — the sequel to the 1991 hit novel Get Shorty that, in 1995, became…
Come this time next year, The Jacket may well occupy the slot in movie discourse that Eternal Sunshine of the Spotless Mind does now — that of the film that coulda-shoulda-woulda gotten more Oscar nominations if only it hadn’t come out so early in the year and been forgotten by…
The Pacifier, starring the human battering ram Vin Diesel as a Navy SEAL ordered to protect five kids from baddies out to steal their dead dad’s invention, was written by Thomas Lennon and Robert Ben Garant, two members of the defunct MTV comedy troupe The State. Lennon, however, is best…
If you want to know what Ong-Bak: The Thai Warrior is all about, it’s pretty easy to sum up. It starts with a big fight, as a group of local villagers plays capture-the-flag in the branches of a large tree. Then there’s a brief stretch of plot, as the head…
First, the good news. Uncharacteristically for a February release targeting African-American viewers, Diary of a Mad Black Woman is not a yuppie romantic comedy featuring Gabrielle Union and Morris Chestnut. Anthony Anderson and Eddie Griffin are nowhere to be seen, and despite the fact that the most memorable character is…
Bride & Prejudice is the third major film released stateside in the past few years to fuse the epic romantic musical stylings of Indian “Bollywood” movies with more Westernized, “Hollywood” elements. It’s also the most successful of them, but when the only significant competition has been The Guru and Bollywood/Hollywood,…
At first (and second and maybe even third) glance, it’s all so familiar: Keanu Reeves shrouded in a black trench coat that flaps behind him like a superhero’s wings, moving between netherworlds and a real world used as a battleground, breeding ground, and playground for higher beings amused and appalled…
It’s hard to know what to expect from Wayne Wang. The Hong Kong-raised director has made one gorgeous mood movie (Chinese Box) and two intelligent literary adaptations (Smoke and Anywhere but Here); he was also responsible, in his early days, for the overwrought sob fest The Joy Luck Club. Then,…
The Sea Inside, the new right-to-die drama from Spanish director Alejandro Amenábar (The Others), is a flawed film worth seeing. Based on Letters From Hell, a book by quadriplegic Ramón Sampedro about his 30-year quest to kill himself, the movie favors the emotional over the legal, foregrounding Sampedro’s relationships with…
